Author: brionybrake

Why You Should CoppaFeel!

As this is the last piece of this year’s sex ed week, I would love to begin by saying thank you to everyone who has supported the project through reading, sharing, and generally showing interest. It means a lot for us to be able to share our knowledge and our opinions on something we consider to be of vital importance. If we help anyone at all, we’ll be over the moon. Equally, we’d love to hear how you think we can improve, and what we can do next year to make the project bigger and better.

Moving on, I do have one last piece for all you wonderful people! The rest of this article is dedicated to the lovely people at CoppaFeel!, who were kind enough to set aside some time and talk to us. If you don’t know, CoppaFeel! are a breast cancer awareness charity doing excellent work in the UK. Last year, I had a chat with their Education and Health Comms Director, Sophie, who caught me up on what they do, as well as how we can look after ourselves. To begin, Sophie told us to check out the rethinkcancer.com site, and to watch some of the CoppaFeel! videos, that help introduce them as a charity (things you should do too).

First off, we discussed the curriculum surrounding breast cancer awareness and sex education at present, and how it’s lacking. As you all already know, this is something I’m passionate about, and it was nice to see it resonated in larger organisations. The improvement of education of this nature is severely lacking, and that’s why we started this project in the first place.

We also discussed how CoppaFeel! have managed to get around the curriculum by deploying their fabulous Boobettes to schools. These guys have been delivering talks to schools, offices and girl-guide groups, and have spread their message far and wide through volunteers, and that’s pretty damn cool. These talks have helped a great deal in getting people to feel more comfortable around the conversation and to go home and start checking themselves.

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The foundation of CoppaFeel! seemed to be that breast cancer wasn’t on young people’s minds, and was something we considered to be a later-in-life sort of situation. But it isn’t. Breast cancer can strike anyone, at any age, of any gender. We don’t worry about it because we don’t think we need to, and CoppaFeel! are out to pop that bubble, ensuring we are all kept safe and healthy.

Their main goal is to encourage younger people (but ultimately everyone) to check their breasts regularly. They want to encourage as many healthy habits like this as they can. The key here, is knowing your own body. Like any serious illness, the symptoms vary from person to person, and as such knowing what is normal for your own body is essential. Get comfortable with yourself, and know what your body does and doesn’t do (check out their #WhatNormalFeelsLike campaign for this one!).

Since a lot of our readers (hello you!) are younger, it makes a great deal of sense for us to push CoppaFeel!’s Uni Boob Teams. At the time I chatted to Sophie, I was still a uni student so she offered links to the team that I could send out to my friends wanting to get involved. If you want to do something worthwhile at uni, and still have masses of fun, join the Uni Boob Team for CoppaFeel!. They’re a lovely community of student volunteers that run around in boob costumes, making boob cakes and telling everyone to check their own. What more do you want?

In the end, this was a lovely enlightening chat to have had with CoppaFeel!, and I’m immensely grateful to them for making the time to talk to me. They brought to my attention that empowerment and confidence walk hand in hand with all of this. It honestly hadn’t struck me before, but it makes sense; if you know your body, and you trust your body, then you hold the secret to being happy with it. Body confidence, as an issue, is a raging fire that no-one seems to have the power to put out, but perhaps if we all took a little longer taking care of ourselves, and noticing how we are made, we might help each other too.

Ultimately, my chat with CoppaFeel! instilled in me some very simple things, that I (and all of you) need to be reminded of. My brain was filled with messages of empowerment, and confidence. I understood that I should learn to know and trust my own body, and to listen to what it was telling me, and to see a doctor if things weren’t right. It is not a waste of time. It is important.

So visit CoppaFeel!’s website, or via their social channels to stay up to date with their boob-antics, and look after yourself, above all. Thank you all again for indulging us in this project, we hope we have inspired you, helped you, or perhaps just interested you. With any luck, we’ll see you again next September.

Love, Anthem xo

 

Words by Briony Brake, with help from CoppaFeel!
Part of September Sex Education Week, 2017.
Images and videos by CoppaFeel!

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Let’s talk about sex.

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If I remember correctly, sex education at my primary and secondary school was brief and severely lacking. I have googled so much. I am 21. I shouldn’t have to be asking the internet questions about sexual health or calling the doctor because I started a new pill and now one boob is bigger than the other (true story). It’s not safe. A lot of research done into the effectiveness of sex education as it stands has focused on unwanted pregnancy and STIs, but it’s not just that people get infections; shouldn’t young people be enjoying sex?

Sex education, or rather proper sex education, has become something of a passion of mine in the last year. I decided Anthem ought to take part in promoting good sex ed to the masses, and since then I’ve been reading, writing, and talking about it non-stop. I’ve learned so much – far more than I ever learned in school, and I’m very excited to be able to bring sex education week to you all, via Anthem. Ultimately, there is no limit on who should receive education, particularly education on life matters such as politics, finance or sexual health and wellbeing. As our goal is to present accessible feminism, we invite you all to learn a little this week, and to discuss so that we might help each other.

Sex education is imperative to all people, worldwide. As already mentioned, I’m not saying this because too many people are getting pregnant or something, I’m saying all this because there is a lot about our own health that can benefit us mentally, that we don’t know. This project aims to encompass as much as possible, so expect posts on periods, body image, healthy relationships and boobs (and so on).

There’s so much to learn, and so with the hope of doing this project annually, please interact with us, and tell us what you love, or what you want to know about next time. Our lovely Anthem writers have done some serious research, and have delved into their own experiences to bring you their pieces this week. These are not easy things to talk about, and we are not experts, but we have been through a lot collectively, and we want to share our knowledge with you.

Personally, I’m passionate about this project because I believe it is worthwhile; I think it can benefit everyone. This is not a project to be associated with embarrassment or stigma, but openness and truths. We want to talk about these things because people don’t, and none of us here think that’s quite right! Let’s talk about things, let’s not be afraid! Lend us your eyes and ears this week, and we’ll try our best to inform you of what we’ve learned, and maybe get you thinking.

We could be very dark and serious and hit you with all the statistics about the consequences of poor sex education (I may still do this later on, it really depends on how I feel), but instead, we want to make this project as positive and inspiring as we can. Take part as you wish: read, comment or even share with your friends. Who knows who we can help, together.

The project officially begins today, but we will be posting at least once a day for the next 6 days, and we implore you to embrace the topics wholly (even if you’re not a fan of blood). Please enjoy, share, and most importantly, learn! We can’t wait to share our work with you, and hope you enjoy the week ahead.

Love Anthem xo

 

Words by Briony Brake
Part of the September Sex Education Week 2017.

‘Watermelon’: A Review

“It’s okay if the love of your life is your best friend”

Last Sunday night I had the absolute pleasure of watching Box Room Theatre’s production of ‘Watermelon’ at the Hen and Chickens Theatre in London, as part of the Camden Fringe. The play was written by Georgia Green and takes a new and exciting look at the role of female friendships in modern life. Quite simply, Watermelon follows two girls named Abbie (Alexandra Proudfoot) and Zoe (Grace Hudson) on a night out, and a boy they bring home named Joe (Henry Taylor). Yet in just 55 minutes, it manages to introduce so many different layers and subtle hints at a wider life I desperately wanted to know. 

In case you hadn’t guessed, I loved Watermelon (and I don’t even like the fruit). The piece was exciting and dynamic, and ultimately showed the immense skill of Box Room Theatre in all aspects, particularly in the writing, and acting that came from Abbie, Zoe and Joe.

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To me, it felt like a case study of sorts on all the different relationships we have. The cast of Watermelon portrayed fantastic chemistry but were equally all able to hold their own in scenes. A relationship between a girl and the stranger trying to sleep with their best friend is one I hadn’t seen before, but thoroughly enjoyed; the sharp dialogue between the two was constant and entertaining. 

One thing I found most interesting was how it showed the friendship between Abbie and Zoe. A lot of things they showed, I had never experienced with my female friends such as taking boys home or discussing sex lives, but then there were so many things I had experienced a hundred times over, like the classic boy talks or even facial hair bleaching… It got me thinking about how no one female friendship is really the same, and how lovely that is.

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Watermelon is a beautifully open piece of theatre that takes the audience’s hand and invites them to share these experiences. Friendships are complex and can involve so much worry, and so to have a piece of theatre normalise that in front of my very eyes was comforting. 

Although very lively and, at times, laugh out loud funny, the piece also enters into some intense scenes, and some equally tranquil ones too. Fear and paranoia come into play when Abbie’s character goes missing in the night, and the relationship between Zoe and Joe develops immensely through the next half an hour of the play. They took a little slice of everyday reality and gave it so much life and depth; the audience is thrown into the drama with no warning, and it allows you to experience a great deal more emotion whichever way it swings.

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In the above photo, you can see one of my favourite scenes of the play. The team at Box Room have a huge imagination but are clever in their delivery. This simple use of fairy lights and music gave such intelligent lightness to the personal drama Zoe’s character was going through. I genuinely thought about the light sequences for the whole week after, I loved it that much.

Watermelon is an excellent example of young new writing that we should be paying attention to in the theatre. A simplistic but secretly challenging piece that is dotted with feminist quandaries most of us face on a regular basis (but perhaps aren’t as brave as Zoe when it comes to resolution). There’s so much to discover and explore that it’s hard not to love.

Four Stars for Watermelon!

 

You can follow Box Room Theatre on social media, and keep up to date with all the lovely events they host (enough to satisfy all your comedy and theatre needs)!

Words by Briony Brake
Images from Box Room Theatre

Wonder Woman: The Marketing, The Film & The Future

Wonder Woman came out in the UK on the 1st June, and although it’s still showing a few cinemas nationwide (if you missed out, don’t forget to check out independent cinemas who show films later), it’s generally on it’s way out until we see it next on DVD. Thankfully, a lot of people saw it making it a whopping £173m in its opening weekend, meaning Patty Jenkins now holds the record for the biggest US opening by a female director. 

I have a lot I’ve wanted to say about multiple aspects of the film, including a review itself, as well as how much I struggled with some of the marketing, and ultimately what it all means for the future. So make haste, there’s so much to discuss.

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I should also mention that this article is one part bad news, two parts good, and I’m going to start with the bad things. The way this film was pushed toward a female audience in its partnerships and targeted posts absolutely reeks of a room mostly full of men, all trying to work out how to market superheroes to women. YES I GET IT, SHE IS A WOMAN. You do not need to market her as a woman to me, a woman. You also do not need to market this superhero film any differently to how you market superhero films with men in. Women already watch superhero films, and go to the cinema just as much as men. Just get on with marketing a Wonder Woman film that we have all been waiting for, and show loads of kick-ass scenes and cool scenic shots from her homeland and we’re good to go.

Before I go off on a fully fledged rant, here’s a bit of an idea about the kind of marketing they did for this film. Take it in, and think about it. 

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Wonder Woman is one of the most bad-ass female characters ever, but gals let’s get together and have a girly night and go on a spa day!!! Let’s go see that mega babe, what a stunner that Diana. Please, stop trying to market her to women like we are an alien species.

Superhero films are all marketed pretty much the same way every time, unless they’re female superheroes. I love Wonder Woman as a character, and I always have. I also love pink, and am a bit girly, and being a human being I am capable of being and liking both. The point isn’t that you can’t be both, it’s that in the marketing campaigns for this film (including a free lipstick with your lady’s razor!), it was suggested that despite Diana being a superhero trying to save the planet, we still somehow see women as one thing. It’s very generic, and that’s a tad insulting, really.

Wonder Woman is Amazonian, and I’m pretty sure they don’t shave their legs or plan spa trips to Santorini (because they’re too busy shooting arrows at Nazis while they fly through the air).

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The two good parts begin now, and they will try their hardest to be brief.

The film was excellent. The Amazonian women were so damn cool, and so was Diana. I recently read an article praising the fact that when Diana jumps and runs and lands, her thighs jiggle. It’s very simple things that women have wanted in film for ever, and we’re finally getting them, and it’s finally happening, and I can’t help but think after all this time, was it really so hard?

Wonder Woman is a great film that genuinely has a superhero lead; it isn’t just a soppy romance, or an action-less female superhero flick. I felt so great watching it, I honestly was so happy at all the female characters whooping ass, at one point I nearly cried. 

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Most importantly with anything of this nature, is its consequences, or rather what it means for the future. The female director of a female-led superhero film holds a box office record, and fought off some major summer blockbusters like The Mummy simultaneously. This, plus the thigh-jiggling suggests more positive things in the future for women in films, and improvement in genres like action, horror and so on.

The only negative thing looking forward (the only big negative thing) is still the way we believe that women don’t watch superhero films, or scifi, or horror (despite the fact that sci-fi was invented by a woman), and as a result, the marketing and advertising done on films like this are still really crap. The next time they release a female-led action film or superhero film, I hope we can see similar publicity to male-led films in the same genres. 

Swings and roundabouts, am I right?

What did you think of Wonder Woman? Let us know, and feel free to tell Briony to stop ranting on here (I’m so sorry), and make sure you catch up with other great female led films coming out this year such as Raw, The Beguiled and Atomic Blonde.

 

Words by Briony Brake
Images by Warner Bros Pictures and Odeon Cinemas

Tate Britain Exhibition: Queer British Art 1861–1967

On my first full day living (temporarily) in London, I headed on over to the Tate Britain for the first time, to view their current exhibition, and the first ever exhibition on queer British art. The exhibition is free for members, or £15 otherwise (or £13.10 for all you students out there), and is so much more than an exhibition. 

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I went in around half past six on Saturday, and left almost two hours later. The exhibition is split into six sections, with other events around the gallery including music and spoken word performances. It’s a real celebration, and I expected nothing less.

The LGBT+ community are very present at the exhibition and it was nice to see an institution like Tate open their doors so fully to a community, and to allow fun, bright and happy celebrations to occur. The art itself is fantastically interesting, and successfully tells a story of generations of writers, painters and inspirations whose impact carries through to this day; from varying feminisms to early drag, and even fashion.

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Although the art and its stories are definitely worth talking about, I am not an expert, or even as knowledgeable about art as I’d like to be, and I think the best thing about the exhibition was not the frames on the walls, but the people walking room from room, celebrating their pride and their own history, just by being there. It was the most unique and charming atmosphere I’ve ever experienced inside a gallery.

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When I neared the end of the exhibition, having slowly wandered room to room, reading every plaque, and admiring every painting, sketch and statue, I could hear the thudding bass of an ABBA track in the distance. In the final room, two doors seemed to be illuminated pink from the other side, and I could hear an assortment of Madonna, Lady Gaga and similar. Upon opening the door and leaving the exhibition, we left the history behind, and entered into the bright pink party celebration where love happens, now.

People from all over were just dancing together to great music, and I don’t think it gets much better than that.

 

The exhibition is on until 01/10/17, book here: http://www.tate.org.uk/whats-on/tate-britain/exhibition/queer-british-art-1861-1967

Words by Briony Brake
Images by Tate Britain and Briony Brake

Playlist: Briony’s Summer Anthems

“Summertime is here again, and my hayfever is through the roof. Thankfully sitting inside and sneezing gave me an excuse to make up a new Anthem playlist full of excellent female tracks to listen to whether you’re out on the beach or hiding from the sun like me…”

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Click here to listen: Briony’s Summer Anthems

Anniversary Post: Why We Write

Today marks one year since Anthem took to the internet, and began its journey to provide a platform for women. In a year, we’ve written about a lot; from bras and sex work to theatre and cooking. All that matters for us, is that women get the chance to talk about what they want to talk about and that they are heard.

We thought to celebrate our birthday that some of us would say a little bit about what we’re actually doing here, and why we choose to write for Anthem.

 

SIAN BRETT

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In Anthem, Briony has created a platform for women to have a voice, and talk about the things that might otherwise go unsaid. To vent frustrations, and question the things that affect us every day. We say ‘I’m right pissed off about this thing’ and she says ‘write it’ and before you know it, people are agreeing with you on Facebook, and Twitter, and saying they know what you mean, and yeah, me too.

That’s why I love it. It’s a sharing, a conversation, a dialogue. It’s a chance to properly lay out what’s going on inside your head, and strip back fucked up media representations of women. To have other women share your experiences with you, but also to have them share other, different experiences.

It’s women’s voices, rising in a chorus. Isn’t that just the best thing?

 

JESSICA YANG

A lot can change in a year. You can move house, you can start Brexit, and you could even become president of the United States (because apparently anyone can these days). But there are some things that take much longer than a year.

Feminism is recognised to have begun in the late 19th century – with the long and hard claim to the right to vote. Three waves and hundreds of variations later, we are here. We are still fighting. There is still gender inequality, and misogyny, and people telling children ‘boys don’t cry’. As feminists, we have evolved. We have succeeded in so much, but there is so much still to overcome. Whether it takes a year, or ten, or a hundred.

It’s not just about fair and equal treatment of men and women anymore. This fight is about mental health, the media, and, like all those years ago, politics. And so this is why I am a feminist. This is why I write for Anthem.

AMBER BERRY

I write for Anthem because feminism is, and has been a passion of mine for years.

I find writing cathartic, and it is key to my self-expression. It also has the awesome added bonus of raising the awareness of important topics!

 

ROWAN DUVAL-FRYER

Why Anthem? Because I see the gaps in the media, in the magazines, in the news, and I want to fill them.

I feel that Anthem is about more than feminism, it’s about challenging sexist norms, opening up about fears, and being honest about the fact that we all really hate exercise.

This inspirational group of young women are representing the people I wanted to see represented and that is something I want to be a part of!

LARA SCOTT

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I look forward to writing for Anthem because in these divisive and turbulent times it is a great source of hope to have online which is created and written by, for and about women.

Full of intelligence, inspiration and support.

Finally, from us all: 

Thank you again for you support, we can’t wait to see what the future has in store for Anthem.