Feminism

How Can We Be Better Allies To The LGBTQ+ Community?

As a straight, white feminist, it can be really easy to just focus on your own problems and disadvantages, but it’s common knowledge that we can’t all move forward when half of us are being held back. Equality can’t ever be achieved if we don’t work together to boost everyone up so we ought to start closing that gap. 

As it’s Pride month in the UK, I wanted to focus on some of the injustices faced by women within the LGBTQ+ community. Someone I know pointed out just how frustrating gay clubs can be, especially when taken over by straight women trying to escape the sometimes literal clutches of straight men in straight clubs. When it’s pointed out, you realise how unhelpful you’re being in what should be a safe place for a community you’re not a part of. It was also pointed out to me that even gay clubs weren’t particularly welcoming to lesbians or bi women. It was pretty disconcerting to hear that they can’t even enjoy clubs intended for their use and it got me thinking. I decided I would try to learn a little more.

I reached out to friends and to colleagues,one of whom actually teased me, knowingly asking why I had chosen to question her instead of others I worked with. I wanted to know how a straight person could make a good – or just a better – ally. We need to band together properly, so I asked for the community’s opinions and tips, and here’s what I got back…

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LILY ANN PROCELLA 

“A  couple of simple things are calling out homophobia/transphobia if you see it. Often it is left up to the victims to call this behaviour out which is not a position everyone can accept for a whole host of reasons. Solidarity feels good because (from my experience) when you are lgbt/closeted etc it is incredibly isolating and there aren’t too many examples of people standing up to this discrimination in popular culture, straight or otherwise so it feels like you against the world. If your workplace or colleagues don’t respect other people’s identities or insufficient training is provided try suggesting training is provided. If someone tells you their pronoun, refer to them with that pronoun and treat them with respect. It can feel uncomfortable at first but it is way better to suffer slight discomfort than to invalidate someone else’s whole identity.

Others are; donating to or volunteering at local homeless shelters as not everyone is accepted by their family and there are a lot of homeless lgbtq+ people in the UK at the moment and not too many specialised services. Donating time or money to organisations or even just sharing news articles and petitions that are related to the community would be awesome. Try to respect that there may be lgbtq+ spaces where it is purely for the community not allies. These spaces can be vital in giving people who suffer discrimination and misunderstanding on a daily basis some much needed breathing room, in a similar way to how we have women/nb only spaces it comes down to celebrating yourself and connecting with others in a safe space. It’s not personal, and getting offended thinking you are being excluded can be very invalidating to people within the community. Also taking some time to research art, film, books by lgbtq artists and supporting them is a rewarding way to be an ally. I think a lot of lgbtq+ people feel like straight allies get involved for the big events like pride and that’s great but we need support in the small scale everyday stuff too so try to be a year-round ally not just a seasonal one. Pick just one thing you’re going to try to do for the next year/month etc that will help the community and try to do it”


LARA SCOTT

“My only note in terms of being an ally would be not to ask about labels straight away. Especially if your friend is having a new experience. I sometimes think the worst question to ask a queer person is: so what are you? It put a lot of pressure on that person. I think the best way to be an ally is just to listen to your friends story & their experience.”

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REBECCA [surname removed for anonymity]

“Education of what LGBTQA+ is and all the differences etc. It’s still not massively talked about in secondary school, and why is labelling so important. Respect each other as fellow humans and not see differences. Most of the shit I have is from people from a different generation that don’t see it’s okay to be gay.”

AMBER BERRY

“One huge thing I want to emphasise is for people to be inclusive of bi* and pan* people. Despite us being a huge part of why pride even came about in the first place, and despite us being a large percentage of the LGBTQ+ population, so often we are missed out of conversations. This includes things like not assuming that two people who are together and masc presenting or femme presenting are always gay.

Another thing I’d say is that straight and cis folks should do their reading. Educating yourself is a great way to become a better ally. Sometimes I’m more than willing to help folks understand the bi/queer experience but other times I don’t want to because it’s exhausting and because I struggle with mental illness. Straight people can’t always rely on LGBT folks to educate them. A really good way of integrating LGBTQ+ content into your life could be watching YouTube creators, podcasters and by following/supporting people on Instagram. Not necessarily just reading books or articles!

Lastly to be aware that there are people who are LGBTQ+ and also POC or disabled or other far more marginalised identities than the average white gay man, and their voices should be amplified and supported.”

I am hugely grateful to all of the women who were kind enough to explain things to me and to share their own experiences and advice. I’ve learned a lot, and I hope you have to. To everyone in the UK enjoying pride, don’t forget to take note of the above advice, and to support the community all year round, through times of struggles as well as in celebration. Happy Pride everyone.

Words by Briony Brake with interviews from Lily Ann Procella, Lara Scott, Rebecca and Amber Berry for Anthem Online.
Images from Briony Brake and Lara Scott.

 

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Likeability: An experiment into being more “popular”

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I have always been interested in Psychology, investigating why we do what we do and what influences our behaviour and thoughts. One of the most recent books I read because of this was Popular by Mitch Prinstein. It was an eye-opening analysis of popularity and how our early childhood and adolescent experiences with ‘popularity’ can have power over how we act today.

I use ‘popularity’ with inverted commas because the first thing I was surprised to learn was that there are actually two types of popularity that can be discerned from research. One is status based, and one is based on likability. A very brief overview is that whilst the popular crowd at school who we all longed to be in with had very high status, they were usually not very likeable. And whilst many of us become obsessed with striving for status, especially in the age of social media, it can be more rewarding to improve how likeable we are. This will not only affect how others perceive us but also how we feel about ourselves.

As a kid at school, I always felt as though I was on the sidelines, and from reading Popular it’s clear from my point of view that I would have fitted into the ‘Neglected’ social category. This means that I’m a textbook introvert, and as a teenager and for most of my adult life, I’ve dealt with social anxiety, so reading this book was extremely interesting when it came to describing ways we can change how we’re perceived by others and also how we think about ourselves.

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One of the book’s anecdotes I particularly appreciated involved the author having telephone conversations with various members of call centre staff to try and fix his internet. He informally conducted an experiment, deliberately making an effort to be polite and warm and interested to some call operators, whilst being curter with others. He then tested out being more positive in his day-to-day life. I was impressed by how different the author said he felt after making such changes and wanted to try it out for myself.

For the first few days, I did not make any deliberate changes to the way I behaved or acted. I did, however, jot down notes on who I had conversations with, and how often. After a few days, I started to change how I acted. Here are the small changes I made an effort to consciously adapt over the next week:

  • Be polite/positive in interactions with people. Whether it be family and friends, or someone over the phone, or a complete stranger who moves to let you past on the pavement.
  • Be interested in what the other person is saying.
  • Smile more.

To start, these simple things were the only 3 items I included. They sound basic and obvious (because they are) but they are things that sometimes slip or I don’t always pay attention to. Practising these three ways of approaching interactions with others, and life in general, had some interesting results…and a few situations stood out.

The first instance I recall was at a job interview. I’m not someone who naturally smiles a lot, and I have a severe case of ‘Resting Bitch Face’: not a great thing for a prospective employer to see. “Right,” I thought, as I went to introduce myself, “start smiling.” As the saying goes, smiles are contagious, and I definitely felt more at ease as the receptionist returned my smile. I paid attention to each interaction, even tiny stuff like being offered a drink. And not in the way of being obsessive or over analytical, just paying attention to how I conducted myself. It was very surprising how being attentive made me feel more present and actually took away some of my nerves, because I wasn’t allowing myself to overthink about where I was, and was instead focusing on who I was with.

I was surprised overall at the effect that these changes had in making me feel more grounded and present, and building up little likeable acts created a bigger picture that boosted my self-esteem.

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Before starting this, I was initiating 1 or 2 conversations a day, i.e. with a shop assistant, or other mandatory transactions when out and about (this is excluding conversations with people at home). Including these, the conversations themselves tended to be short. By the time I’d finished the next week, I made deliberate changes to the way I interacted – I was averaging about 6 conversations a day, including one I struck up with a randomer who sat on the same bench as me (which I would never have done in a million years).

As the number of conversations I participated in increased, I found that consciously being more aware of the way I interact lead to a number of discoveries:

  • Very quickly I was beginning to see interactions with others as opportunities rather than as chores. To start with I initiated conversations to observe what happened, but in the end, I just enjoyed having a chat and was more willing to learn about people I chatted to. Like the guy who runs our local convenience store or people I see walking their dogs in the morning. (The perks of living in a little town where it is customary to say ‘morning’ every five seconds came in handy here.)

  • I was less analytical of myself. If a social interaction got ‘fluffed up’ i.e. I got flustered and said something that didn’t come out right (which I do a lot), I made an effort to not be as hard on myself and laugh it off.
  • I found the more I try to maintain these ideals the more they become second nature. Instead of setting time aside to be conscious of these likeable factors, they started crossing over into work too. I found it less of a challenge to speak in meetings and was less nervous to ask questions and make suggestions. I was less hung up on being right and more concerned with attending to what was happening and being involved.
  • Making an effort to be more interested in what another person was telling me ended up in me being more interested in others generally. Asking questions, being present and discussing details with other people; whether it be chatting about family, work or some other topic like the latest Avengers movie ended up in providing the chance to strengthen my interpersonal relationships both professional & personal.

The more I strived to put effort into my day-to-day interactions, the more positive I felt. The littlest instances of finding out details of someone’s day or taking the time to thank someone where perhaps I usually wouldn’t have felt good and made me less socially anxious when initiating conversations.

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I am not saying that we could all do this, all of the time; or even that we should do. Obviously, there are still days when I’m not in a great mood or don’t feel like talking to anyone when I’ve gone out to run errands. However, being more mindful of how I present myself and how I listen to other people has surprisingly made it less daunting to be sociable. Which is interesting as this isn’t what I was intending to use it for, and was rather approaching it as a way of learning how to come across well. What I enjoyed the most about doing this is that it taught me how to listen more effectively. Now I make a better effort to really listen to what someone is saying to me and be present when I talk to them.

I’m also not saying for a minute that I’ve turned into a completely different person. There were still a couple of days throughout this week where I was exhausted from socialising. There are still times where I get pissed off by something or someone and the last thing I want to do is be interested and present so instead shut myself in my room and watch Netflix. What it has done however is make me more open to interactions with others. I still get anxious chatting to people, but I’ve seen some positive changes.

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Who knows if my efforts during this time have really made me more likeable? I definitely feel better about myself as a result, and I’ve noted changes in my own behaviours. Of course, I could just be coming off as a complete stalker who has an unhealthy interest in other people(!) but I hope that’s not the case.

After this experience I hope to continue my effort not to improve how ‘likeable’ I am but rather, to improve how confident and content I feel within myself.

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If anyone wants to read more here is a bad quality pic of the book ft. my thumb.

 

Words by Lauren Barnard for Anthem Online.
Images from Nathaniel Russel/Mitch Prinstein/NY Times, Explorying Your Mind, Robert Rolih, Salt 10.65 and Lauren Barnard.

365 Days in London

Friday 23rd June 2017. I graduated from Oxford Brookes University at 3pm in the afternoon. I took photos, stole a bunch of mini scones and headed into town with my family. I then boarded a coach to London in my nice graduation dress, switching my new heels for my favourite beat-up trainers. 

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Hooray for me!

A lot of people move to bigger cities after uni – some by accident, some with sincere intent to live a big city life. I didn’t plan on it and wasn’t even sure what I wanted to do. Five or six months prior, I had gone for an interview for an internship that was successful and so I was heading to London for at least two months to try that out. I arrived in London on a Friday night and got straight to work on Monday. Even as I moved into London, I didn’t know if I wanted to stay forever but knew that now was the time to try. 

It’s been a year since I moved to London – yes I’m still here – and I have a full-time job working on a different team at the company I started interning for last June. I live in a flat share, I have a cinema loyalty card that I don’t use as much as I should (the sign of a true grown up), and I’m staying here. I’m staying in London and I’m staying at my job. I have a set of great friends that also happen to be my colleagues, and have access to so many cool events and things going on in London.

I wanted to write this piece for two reasons – firstly to celebrate my first year in London, and secondly to share some of the things I’ve learned since being here. So let’s get to it!

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I live (near) here now.

Being a grownup is exhausting.  

The thing about London is that this all sounds really glorious, partly because I’ve written it that way and partly because I’ve totally omitted the countless times I’ve wanted to go home and all the stressed-out evenings and weekends spent fretting over work or social events. London is hella tiring. Very few people live close to where they work and if they do they don’t live near their friends and if they do they don’t live near their family or favourite market or museum etc. London is praised for having everything but if you thought about it logically, you’d realise how much space you’d need to have everything you loved. Everything is spread out and not everything is accessible when you want or need it. It’s very easy to glamourise London and say ‘well it has the best doughnuts and pizza’ which it probably does but you have to actually have the energy to go and get those doughnuts and pizza.

I moved to London and thought to pretty much everything I faced ‘it will get easier’, but I don’t know if it does. It’s not that you’re not used to it, it’s that it’s freaking hard. Travelling with hundreds of other sweaty bodies for hours a day, lugging bags around, working, exercising, enjoying a social life. It’s ridiculous. I had resigned myself to long periods of coming home, showering, cooking and watching a film before going to bed until my laptop broke. Now I watch TV on my Kindle.

The thing is that everyone is the same. I thought my London friends were London people and let me tell you, I think that’s a myth. London isn’t a fictional place where everyone is either a businessman or really super unbelievably cool. First of all, my London friends are all equally shattered and tell me how hard London is, and secondly, it’s a city goddamn it, not a club. Anyone is welcome. 

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I won an award for always having biscuits at my desk. #Winner

There’s room for everybody.

Everyone is welcome in the Big Gherkin (is that right?). It’s a funny double-edged sword because nobody gives a shit what you do or wear (drags old merch clothing out the wardrobe) but also nobody gives a shit what you do or wear (sits in pile of Gryffindor t-shirts with a sad, hopeless face). I work in an office that deals with a lot of film and television. As expected, my office is filled with merch; we probably keep Funko in business and that’s cool. I had been to an all-girls school which although relatively progressive still separated out the nerds from the rest, and then a university where I didn’t make many friends. I didn’t proudly support things I loved in my possessions and clothing anymore, but I hadn’t realised until I started this job.

My desk has only just started gathering stuff but it’s great. My birthday presents were all cat or feminist related and what more could you want? I frequently wear a Bart Simpson printed shirt to work or jumpers printed with slogans about equality and quotes from Pride and Prejudice. It doesn’t matter what you’re a ‘nerd’ about, it’s all good. Nobody gives a fudge. It’s grand.

I went to a Comic-con for the first time in May and was taken aback at how little people cared that anime girls and Jon Snows were boarding the DLR. Princess Belle in a giant yellow dress? Didn’t notice. It was so nice that I actually got a bit emotional. These people were doing what they wanted and nobody was making fun or questioning them for it. I actually cried when I went to Pride last year too. I’d only been in London for a short while at this point, but here were all these people celebrating and mourning simultaneously with thousands of allies just happy to be around. Everyone was friendly and talking to one another and there was music and glitter and colour and people were allowed to be themselves. What a dream. 

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I did not win this cat, and I am low-key furious.

I can be myself, whoever that is.

For the first time in years, I haven’t even considered dieting or getting fit to lose weight. Why you ask? Because I don’t care. Because nobody else cares. I had to stop wearing makeup earlier this year because my skin went to pot and although I started my internship wearing a full face of makeup every day, I have not worn makeup to work in at least a month or two. Nobody cares. It’s a great thing to embrace. Share what you love, talk about your passions. 

*I know I should’ve started this article with the disclaimer that I know I’ve been pretty lucky getting a job where I work and very occasionally being able to afford some of the fun things London has to offer (like DOUGHNUTS) but it’s too late now, the disclaimer is going here.*

I actually got to help on a friend of a friend’s short film as a runner this summer which was amazing. Suddenly I felt like filmmaking wasn’t off the table again (although realistically I don’t have time so it’s back off the table but still!). I’ve made friends who would gladly support or help my writing if I wanted feedback because they write too. Most of the time I can find someone to take advantage of cheap theatre tickets with me, and most excitingly I’ve discovered karaoke. Karaoke is fun damn it.

Then you have the fact that I can discuss feminism with my boss or Wonder Woman or Pusheen the cat or some obscure animation on Netflix with someone at work. It is no longer a secret that I’ve watched pretty much every Christmas movie available on Netflix, and not necessarily in December either. I like stuff and people know, and nobody thinks any different for knowing. Maybe it’s a growing up thing and not a London thing, but I feel like I belong at my current job. 

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Get it, girl.

Difference will help you grow.

This last one is less something I have learned and more something I’ve always believed that’s confirmed on a daily basis. I know a lot of people that are quite old fashioned and think it would be better if we could just get rid of or stop dealing with certain people. The thing is, we cannot get rid of people we disagree with. I’m a proud feminist and if I got rid of people who disagreed with me, then there probably wouldn’t be a population crisis anymore. You will never ever learn or grow or change if you only spend time with people like you. I genuinely believe that you will learn way more from people you dislike and disagree with than you will from similar people.

Learning to get on with people you don’t like is one of the most valuable social skills you can learn. Learning and changing to not be like people you dislike or learning how to defend yourself and your argument against people who disagree with your beliefs is equally valuable. The thing about everyone in London being different is that you learn to be friendly with dozens of people for different reasons. Being able to talk to people and discover something in common is brilliant, and learning to deal with people you don’t like is only going to help you. Living somewhere where every single person you pass is different is an amazing confirmation of how much you’re going to learn and grow and become accepting of so many different people. So remember that. 

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Treat yo’self to a good doughnut.

That’s it really. I just can’t get over how solid that message of acceptance has been since I’ve been here. I know it’s not the same for everyone but this is my personal account of London. People are either going to like you or they’re not, and there’s actually not so much you can do about that. You can be the most pleasant person in the world and someone’s still going to think you’re too pleasant. London is so busy and there’s so much happening all the time that it kind of forces you to just get on with it.

People who are very different end up being friends and that is so good for you. It is so unbelievably good for you to make friends with people who have different interests and backgrounds and lives. If you can support your friends and their super niche hobbies and interests then they will support you in yours. It’s a win-win. 

It’s been a tough year but an interesting one. I’m confident in my job and my personality in a way I haven’t been before. I’ve learned to take the bad with the good. If nothing else, I’ve learned to say “it’s swings and roundabouts” at least once a day. Welcome to London, I guess.

 

Words and Images by Briony Brake for Anthem Online.

‘Beige Walls & Navy Sofas’: A Review

I’ve never been to Edinburgh Fringe, hell, I haven’t even been to Edinburgh. I’d love to, but it’s not exactly cheap, but that’s the great thing about being in London. Since coming here, I’ve been able to experience theatre and stand up at local comedy nights and festivals. Most recently, I was invited along to see ‘Beige Walls & Navy Sofas’ at the Catford Fringe starring Anthem’s very own Courtney McMahon.

Beige Walls & Navy Sofas is an impressive debut piece from the Ghosted Ink arts collective featuring spoken word, karaoke and dancing. It aims to bring a story from a working class family into the light where it belongs, and it is lovely. Watching Beige Walls & Navy Sofas is an experience comparable to catching up with a friend you haven’t seen in years, or perhaps even better, meeting someone for the first time and learning about their life.

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In the lead, Courtney doesn’t take on a character that’s been made up or fictionalised; Courtney plays herself. She, along with the rest of the team at Ghosted Ink, take you by the hand and ask you to step inside for a moment, and to listen to one woman’s tale. I really appreciated this piece for such an emphasis on pure storytelling, yet simultaneously for not being afraid to get creative with it. The set design was simplicity at its finest with props evoking both laughter and sadness, yet never taking away from the story being told.

Courtney walks the audience through selected moments of her own childhood, working you through a set of themes that include loss, confusion and anger. We learn about her siblings and mum, and we experience as many highs as we do lows as she takes us on a trip down memory lane.

“Layers and layers and layers and layers of nostalgia” she yells from the floor of her childhood bedroom, and layers of nostalgia is exactly what Beige Walls is. I didn’t live this life, and there are aspects of her life I couldn’t even begin to understand having not experienced them myself, but the brilliance comes from just that word – nostalgia.

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Nostalgia means a remembrance of something that never was, so we have a habit of using it to refer to our childhoods when we think about the presents under the tree at Christmas or the simple games we used to play with friends. Courtney remembers these things hand in hand with fleeting moments of reality. She discusses the great and terrible moments of living with her sister and I laughed. I laughed because I understood and have shared a room with a sister. It’s small moments like this that transferred her very own and very personal nostalgia onto the audience. An audience who were only too grateful to join in and were laughing from start to finish.

Like all good theatre (in my wholly uneducated opinion), Beige Walls doesn’t keep you down for too long. Though there are several times of anger, disappointment and grief, it is not long before Courtney’s pink hair and glittery eyes are up again, singing Wham or dancing to The Ketchup Song.

The team at Ghosted Ink did an absolutely terrific job with Beige Walls, and created a totally new experience for me. It was a pleasure to sit down somewhere new for 45 minutes and to witness a life story play out in the way they have pulled this piece together.

Four stars for Beige Walls & Navy Sofas!

 

Words by Briony Brake for Anthem
Images courtesy of Ghosted Ink

You can stay in the loop with all things Ghosted Ink via the following links:
Instagram – @ghostedink
Twitter – @Ghostedink_Arts
Facebook – https://www.facebook.com/GhostedInkArts 
Website – https://ghostedinktheatre.wixsite.com/ghostedinkac  (best viewed on desktop)

THE MANLEY GUIDE TO FEMALE AUTHORS – Part 2

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‘The Outrun’ – Amy Liptrot

As I sat writing this I realised that Amy Liptrot’s ‘The Outrun’ is one of those hard-to-describe books. It is an autobiography, but it also feels in some way like a travel guide, and love letter, to Orkney (I myself now have a long list of places to visit). Really though, it is about her journey through alcoholism, her descent into it, her recovery and her re-discovery of the wild and beautiful place she grew up.


‘I’m the King of the Castle’ – Susan Hill

If you didn’t read this at GCSE (as I first did), you should definitely give it a go now. ‘I’m the King of the Castle’ is written entirely from a child’s perspective – Kingsley’s. This is a particularly effective method as we the reader have to experience his bullies, his fears and his pleading with adults first hand and the devastating effect all this has on him. Susan Hill, in my opinion, is a fantastic writer and I believe this to be one of the best examples of her work – and a great gateway to her other books.


‘He Named Me Malala’ – Malala Yousafzai

As I’m sure everyone knows, in 2012, Malala Yousafzai was shot in the head by the Taliban for campaigning for the equal education of women and girls in Pakistan. She survived, and is now studying at Oxford University and continuing her fight on a global scale. Yet her autobiography tells us the stuff we didn’t know. Malala documents her life growing up in the Swat Valley, the beautiful mountains and it’s fascinating history, the rise of the Taliban and her road towards activism as well as her life after that moment in 2012.

I loved this book because of that different knowledge; it was refreshing, heart-warming (and a little heartbreaking) to hear about life in Pakistan for the normal people like you and I and not just what we see on the news. ‘He Named Me Malala’ is an informative and inspiring read that should be added to your shelves.


‘The Bloody Chamber’ – Angela Carter

‘The Bloody Chamber’ is a collection of short stories by Angela Carter. Each story is based on a traditional fairy tale, but with a twist. Carter takes the basic narrative of each tale she is using and infuses them with something both dark and mystical whilst also echoing reality. As with a lot of traditional fairy tales, each story centres on a female protagonist. However, Carter uses her stories to highlight the very real problem of violence against women, whether that is social, economic or physical.

This was the first book I read by Carter and it got me hooked (which I’m sure you’ll hear about in other posts), I loved the twists and the ability to debate and discuss the topics with others. I also found it fascinating (and a little sad) that the issues raised are still so relevant today almost 40 years later.


‘Women and Power’ – Mary Beard

The fifth book on this list is the critically acclaimed ‘Women and Power’ by Professor Mary Beard. In this book, Beard chronicles misogyny all the way from ancient Greeks and Romans through to today and assesses how these ancient mythologies are still used to undermine, and target, powerful women in modern times. Perhaps one of the most notable was the use of the Medusa head against Hilary Clinton in the 2016 Presidential Election.

Although this is a bit of a challenging read, it is well worth the time and effort.

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‘And Still I Rise’ – Maya Angelou

‘And Still I Rise’ is one of Maya Angelou’s poetry collections featuring the two poems that first lead me to fall in love with her – ‘Still I Rise’ and ‘Phenomenal Woman’. Angelou’s poems discuss love, life, her experiences as a black woman and growing older,  and whilst each one is deeply personal the themes have universal resonance.


‘Everyday Sexism’ – Laura Bates

This book was the cumulative result of a social media campaign started by Laura Bates in 2012 to document the sexism experienced by women on a daily basis in all areas of life and work. Bates has split the book into various chapters (as authors often do) so as to best examine each sectionality and area of life as closely as possible and backs everything up with facts, which are quite often depressing.

However, despite this, I found it weirdly inspiring and after reading it I bought it for a friend who gave it to her friend and recommended it to others, as I also did. It really is a book that no matter how old you are it is relatable to every one of us (unfortunately). It is a book that should be read by, and affects, everyone. It not only educates, it also makes you say ‘me too’. To quote Caitlin Moran, “it will make most women feel oddly saner”.


‘H is for Hawk’ – Helen MacDonald

‘H is for Hawk’ is a moving account of grief, depression and falconry. Following the death of her father, Helen MacDonald travels to Scotland to buy a goshawk and sets out on a mission to train it – despite no previous experience and only what she has read in books since she was a young girl. I get that this sounds like a slightly strange mix, but it makes for a beautiful one. It is a combination that makes you laugh, cry and gasp in awe along with MacDonald every step of the way and leaves you fascinated by these fantastic birds.

 

Click here for Part 1 of Eleanor’s guide.
Words and images by Eleanor Manley for Anthem.

 

A Space of One’s Own

In many creative industries, as well as in the wider world, women are not encouraged, but are actively discouraged from taking up space. When you don’t see women like you, or in fact any women at all, in mainstream media, it can be hard to convince yourself to take up that space. Taking up space is both physical and metaphorical here; if society expects you to be thin and petite, then being anything other than that feels wrong. When you are told be quiet, talked over, and interrupted, speaking up and out can feel hard.

A solution to this is to carve your own space. To create something that is for you and for other women like you to share in. I chatted to some women who have done just this.

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Kate Eveling is the creator of The View From The Other Side, a blog and youtube channel where she talks openly about what it’s like to have Cystic Fibrosis. The videos are incredibly informative, well-made and fun to watch. “CF has always been a negative in my life but creative writing and making videos is something that I thoroughly enjoy – so I thought, why not take that and use it to turn something negative into a positive” she told me.

It’s particularly interesting to explore CF online, because, as Kate puts it “us CFers can’t actually meet face to face because of the risk of giving each other chest infections.” When you can’t meet the people who share in your experience, creating an online space to talk and discuss (and also to explain what it’s like living with your condition to everyone else) is key to changing the conversation around something like CF.

Kate also says that it’s important most of all to keep these videos interesting. “The ‘10 Facts About Me’ video isn’t one where I sit in front of the camera and drone out ten facts. I try to make it energetic and fun but also cringeworthy – it wouldn’t be a Kate Eveling video if it wasn’t cringeworthy right?!”

I ask Kate who inspires her, and she describes how starting A View From The Other Side led her to discover other CFers documenting their lives. “This might sound cheesy but every story I read on their lives was such an inspiration to me. Because they have CF and they are fighting it every day. Simple as that.” It’s clear to see here how one person carving their own space can inspire another.

It’s a space that’s growing as well. Kate recently made a video campaigning for the drug Orkambi, which greatly improves the lives of CF sufferers but which the British Government claim is too expensive.

Find out more about The View From The Other Side.

 

Splint

Another online space for women is Splint, a platform for innovative women looking to network, collaborate and create. “We just kind of decided that it was necessary to provide a space for women to share creative skills, successes and experiences, whilst also championing the women we know and love” co-creator Abbie Claxton tells me. Abbie and her co-founder Syd interview a series of women about what they make and why, and what it’s like to be a woman doing that. “We both know a lot of women doing things that should really be talked about, and we just realised that not a lot of people know about them or what they’re up to. I am always asking people how they got to where they are today, and Splint kind of offers that answer for people.”

The wonderful thing about Splint is the way it’s pure purpose is to champion women doing cool things, and allowing them to share that.

I ask Abbie who inspires her. “The women around us inspire Splint, without them we would have nothing to talk about.” It’s the perfect description of what sharing space means for women today.

Find out more about Splint.

 

Liberate

Laura Mead is an actor and playwright whose debut play Liberate was recently performed at the White Bear Theatre. I asked her about the move from acting into writing.

“There’s a lot more freedom in writing than I personally found in acting. That goes along with flexibility. I also find I’m not having to ‘look’ or ‘feel’ a certain way to write – I just let what I want spill out on paper.” And why is theatre right for this?

“Art forms are so great because they can be enjoyable whilst also showcasing an idea, which may or may not have been in somebody’s minds beforehand. I also think it’s all about HOW you discuss it; Liberate is full of humour – so it means that feminism is being pushed to the front of the discussion whilst a joke is being made.”

I asked Laura what’s next on the agenda.

“Carry on making coffee at my little coffee-shop. Read books. Shove the candles on. And have a bloody large gin. Who knows?!”

Liberate is on for one more night at the Etcetera Theatre in Camden.

 

Words by Sian Brett with interviews from Laura Mead, Abbie Claxton and Kate Eveling.
Images from The View From The Other Side, Splint and Liberate.

Why We Focus On Women

Why do we march for women and not men? Why do we have an international day for women but not for men? Why do we have girl power but not boy power? Why is it called feminism if it supports women and men?

There is a very simple answer to all of these questions, and it is as follows…

We march for women because equality is the finish line, and men had a head start. We march for women, because we’ve got further to go before we can catch up. We’ll meet at the finish line and celebrate together, but we cannot push you to the finish line when we are too far back to even see you.

We celebrate women’s days and not men’s days because in a patriarchal society, every day is a men’s day. You might not have wanted it that way, but it’s how it is. One day a year is all we take, and in all fairness, we did give birth to the entire human race.

We celebrate women because someone has to. We are not raised to shout and scream and praise ourselves. We are not taught to believe in our power the way that men are. So we celebrate ourselves once a year as a baby step. One day we will celebrate humans altogether, but we’ve got a long way to go until that day.

Girl power was born because we were sick of not having power. Men and boys have power because they are born men and boys. We are born female, and thus powerless. We have to fight for what we want. We have to claim our own power. Girl power is how we celebrate our claim and our fight. You can have boy power if you really want, but then you already do. You just don’t have a name for it, because it’s the norm. It’s how things already are.

It is called feminism because women are the more disadvantaged and wronged party. We all have a long way to go, and none of us should be discriminated against for being born one way or another, but women (and really anyone who doesn’t identify as male) have greater obstacles preventing them from gaining equality. We want everyone from every background to feel equal, and not judged for being a boy or girl or somewhere in between. We just need your help getting a foot up first.

We’re not sure why this is such a big ask, and this is why we get angry sometimes. We march because we’re sick and tired and want to shout about how unfair it all is. We don’t do it often though. We just want equality, and don’t understand why some of you don’t too. It’s just equality. It’s not that hard, is it?

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Words and Image by Briony Brake for Anthem.