Feminism

Teaching Menstrual Hygiene in Zambia

Last year, I spent a month volunteering in Zambia as a part of a student-led, nationwide charity called SKIP. The aim of the project, which has been running for 5 years now, was to teach local primary schools about sex education. The initiative passes on knowledge and materials to teachers and runs information sessions on STIs and HIV to women’s groups. By educating children and women in these topics, we aim to increase people’s knowledge within the community, giving them the means of protecting themselves.

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When I arrived at my first school I was given a government-issued textbook on sex education and a guide to what I should teach. I was so shocked by what I read. The books included phrases like ‘it is important to make yourself look nice for boys’, and included lists of desired characteristics for girls such as ’gentle, kind, good cook’. It seemed to me as though the country was decades behind our own, and I suddenly felt very overwhelmed. However, as I stood in the barely furnished, dusty classroom with that textbook in-hand, I looked around at my class and felt so driven to make a change.

My most successful, and potentially life-changing topics were periods and Project Mwezi. The so-called ‘tampon tax’ has been very present in the news recently, and rightly so as menstruation is far from a luxury. However, without access to sanitary products such as tampons, it can also be life-threatening. Despite being the most natural process for a woman, the presence of taboo in other countries severely undermines their rights; in Africa, 1 in 10 girls skip school during their period, and in India, 70% of all reproductive diseases are caused by poor menstrual hygiene.

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Women and girls are prevented from completing their education and are even socially excluded throughout puberty. They are denied access to water and sanitation facilities when they most desperately need them. As a result, women turn to unsafe materials such as old newspapers and leaves to manage their period. Poor management of menstrual wellbeing is not only damaging to physical health but also mental health. That’s what makes campaigns such as Project Mwezi and Dignity Period so vital to developing countries. They teach women how to make low-cost, reusable sanitary pads from easily accessible materials. This knowledge not only helps them in the short-term, but gives the resources needed to teach these skills for generations, and even set up businesses by making and selling the pads.

However, this is not the only resolution. A key piece of the puzzle for changing attitudes surrounding the issue lies in educating men and boys. It is equally important to generate understanding amongst them so they can support their sisters, mothers and wives, and help remove the taboo surrounding menstruation. This begins with sex education in schools, something which is poorly under-taught and often sexist. As a society, we need to work alongside NGOs and other charitable foundations to open up conversations surrounding menstrual wellbeing, and create a world in which every individual is given the opportunity to have control over their own bodies.

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All I can do is hope that I empowered those girls in my classes even to the smallest degree. To hope that they went home after school and shared their knowledge with their mother, sisters and cousins. To hope that enabling those girls to attend school a few more days a month is one small step towards gender equality in Zambia.

Until then I continue to support SKIP and other charities to make sure the message that #MenstruationMatters is heard.

 

 

Words by Rowan Duval-Fryer
Part of the September Sex Education Week, 2017.
Images from SKIP and Femme International

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Halves, Wholes & Other Emotional Maths

We all grow up differently. Some people are self-conscious about their weight. Some people hate their noses. Some people think no-one is ever going to like them. Whatever it is, everyone has their insecurities, and from my experience, sex ed didn’t really make anyone feel better about them. The teacher was awkward, the students were worse, the curriculum was reeled off and that was pretty much it. The biology was covered, and ‘pastoral care’ mentioned, but what no-one really touched upon was how big a role emotions and self-image play amongst all this growing up.

I spent a lot of my teen years feeling uncomfortable in my body and insecure about how I looked. I was one of – in hindsight -many people that thought no-one would ever want them. I doubted that anyone would ever feel anything for me, yet maintained the hope that should something happen, it would be the answer to everything. I’d be fulfilled, complete and wanted, entirely satisfied with myself and my life.

Looking in the mirror and not only seeing the ‘ugly’ and the negative seemed an insurmountable thought for me. I was stuck in a rut of worthlessness, hopelessly looking to be wanted and reassured. I had the expectation that finding someone who saw more in me than I did would automatically bring happiness, irrespective of how I was feeling. I was not prepared for the emotional experience that thinking would bring about.

21244662_10211805042095761_2026440898_nThere’s that saying; ‘looking for my other half’, that people use when they talk about finding that person who is their soulmate. Whether that’s important to you or not, I think there’s something about this quote to bear in mind. No-one else should ever be your other half because you are already a whole. This is actually quite a new revelation for me, but one that has made all the difference, both to my relationship with others and with myself.

Adopting this perspective is, in essence, very flexible. It can mean that you need to go and be single and find happiness with yourself completely alone, but it doesn’t have to. It can mean constantly surrounding yourself with family and friends to build up morale, but only if you want it to. Whichever suits, my point is that no matter how endearing your environment is, the positive words from people around you cannot fill the sadness of how you see yourself forever. You must give yourself time to learn, to help yourself.

I am a huge advocate of drawing from the people around you. Having hated myself for so long, I have found so many parts of myself that I now love through other people and how they saw me. A few years ago, however, these positive words will have needed to be regular; I was in constant need of recognition that I was of any value. What they were saying wasn’t sinking in, because deep down I still couldn’t see past what I saw.

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When no-one was around to reassure me, I plummeted back into sadness, which took a toll on almost every aspect of my life. As I watched myself let everything slip away, I realised that I was losing myself. I decided that something had to change. I took a deep breath and a step back. I spent a summer with less social media and less communication with friends. It gave me a chance to reflect on myself, the words of others, and how I wanted to see myself. I built up confidence, proving to myself that I was of value rather than needing someone else to tell me this. It was a long process, and how I went about it may not suit you at all, but what matters is making that change.

I finally allowed my friends’ words to change my own mind, and as a result, I’m starting to embrace a happiness which is beyond fulfilling. This happiness comes from within. This is where we come back to that quote because that is what we all deserve. You are – always have and always will be – enough, but we need to take charge of our own self-worth to truly realise that. No-one can permanently plug that self-doubt you have, no-one can fill that space of insecurity forever. Using the people around you and their appreciation for you, you can build up the image you have of yourself into a whole that you become happier with.

While I think that’s important for wider life, it’s also important for the health of your relationship. You don’t want to be in a situation where you can’t let go for the benefit of yourself or your partner because your entire world depends on how their opinion of you builds you up. Even whilst in a relationship, you are two very different individuals who have their own lives but needn’t depend on the other. Value one another for the love you give but have enough confidence in your self-worth that you don’t need it to be satisfied.

As I said before, everyone is different, and everyone improves themselves differently. Your environment, be that a relationship, friends, or family is a gold mine for learning about what others value in you. The importance of the emotional awareness that sex ed neglects, lies simply in seeing this within yourself. In no time at all, you’ll find yourself taking the world by storm because knowing yourself – the ‘to-be-improved’, the value and the good – is nothing to be afraid of. Rather, take your happiness into your own hands and go for it, in love, ambitions or everyday life, all while knowing just what a good egg you truly are.

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Images from Rubyetc, Picture Quotes and The Online Odyssey.
Part of the September Sex Education Week, 2017.

The Absence of LGBTQ+ Sex Education

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At the start of 2017, our government blocked compulsory LGBTQ+ sex and relationship education. On reading about this decision, and being asked to write on sex education for Anthem, I realised how lacking my own sex education was in the mid-noughties. It is a crying shame that my friends and I were so ill informed back then, let alone as teenagers are now in 2017.

We were taught about biology, not pleasure, and definitely not consent. It was very male centric, with the attitude that ‘boys will be boys’. Girls were taught to allow boys to experience these new feelings and to be kind to them if they get an unwelcome erection in your presence. Female masturbation, however, was an afterthought; described to us using a video of a woman on an exercise bike (which made exercise bikes very confusing for a time). 

Being taught sex education in a Catholic school meant that the word ‘contraception’ was mentioned once in reference to the use of a condom, but no instructions on how to use one. Again sex was seen as a means to an end, that end being babies. We were not taught about consent, what it is to be in a healthy relationship, porn, sexting, mental and physical abuse, and I never once heard the word clitoris.  

I was taught that sex was all about the sperm fertilising the egg, and a woman’s main role was as a mother. This left no room for discovery or intimacy, certainly not if you identified as anything other than heterosexual. We were taught sex education with the same attitude that my great grandmother had about LGBTQ people. When my grandma informed her that there were lesbians in the WRENS (Women of the Royal Naval Service), her mother replied: ‘”Don’t be silly, women don’t do that”. She didn’t even think it was possible. When I had my sex education, sex seemed a far off thing as the boys at my school either annoyed me or scared me. At this point, an attraction to women didn’t seem to be an option. It was not until I was twenty, and watching The L Word that this part of life would make sense to me. Coming out as bisexual in 2016 put a lot of things into perspective, especially how society views sex, and how culture comments on it. I was looking for representations of myself and found them to be few and far between.

When I had my sex education, sex seemed a far off thing as the boys at my school either annoyed me or scared me. At this point, an attraction to women didn’t seem to be an option. It was not until I was twenty, and watching The L Word that this part of life would make sense to me. Coming out as bisexual in 2016 put a lot of things into perspective, especially how society views sex, and how culture comments on it. I was looking for representations of myself and found them to be few and far between.

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On researching the reasons behind this absence in sex education, the common train of thought behind not teaching LGBTQ inclusive sex ed was the worry behind promoting the lifestyle. This thought process is wrong on many levels, the worst being that like all prejudices, it puts one person’s life above another; it teaches that heterosexuality is the norm. I mean, when was the last time someone came out as straight? I have read many articles and watched many videos on heteronormativity, and can see that this is where the absence stems from. From the government right down to schools and parents, people assume people’s sexual orientation, therefore assuming LGBTQ+ are in the minority. This leads to exclusion, and people feeling devalued. I have never understood why when teaching teenagers about sex and education, you wouldn’t teach them about every colour of the rainbow, no pun intended; it is of invaluable importance to their education. If I was an MP, a teacher, or a parent I would want thought-out, informative, joyful lessons on the subject that required more than just an hour before lunch. I would want young adults to learn about healthy and unhealthy relationships, pleasurable sex, safe sex, attraction, affirmation of the LGBTQ+ community, dating, online dating, and the myth of virginity.

I have never understood why when teaching teenagers about sex and education, you wouldn’t teach them about every colour of the rainbow, no pun intended; it is of invaluable importance to their education. If I was an MP, a teacher, or a parent I would want thought-out, informative, joyful lessons on the subject that required more than just an hour before lunch. I would want young adults to learn about healthy and unhealthy relationships, pleasurable sex, safe sex, attraction, affirmation of the LGBTQ+ community, dating, online dating, and the myth of virginity.

As a graduate of English and drama, I would also discuss how our culture views sex; the difference between a sex scene and sex, the difference between pornography and sex. I would teach people where to find LGBTQ+ representation, where to find feminist representation, and what it means to be a feminist, especially when it comes to sex. When it comes to sex we don’t give teenagers (especially teenage girls) the credit they deserve. Your teenage years can be the hardest as a period of constant pressure, questions and uncertainties about all that life can offer. The least adults can do is give them some certainty, and show them that they understand. School is meant to be a place where we learn about the world, about ourselves, and what we can become. I came out at the age of 24 – a whole decade after I learnt about how a sperm fertilises an egg. I had ten years to read all the sexy books and watch all the sexy films, and I had The L Word to confirm my bisexuality. I still think of the joy I missed out on, the stupid things I could have avoided, the days spent questioning and not acting. I think of that anxious lonely girl or boy who doesn’t have the strength to wait ten years. What if one person telling them their feelings are valid, or hearing that ‘love is love’ gives them the permission to start finding joy?

School is meant to be a place where we learn about the world, about ourselves, and what we can become. I came out at the age of 24 – a whole decade after I learnt about how a sperm fertilises an egg. I had ten years to read all the sexy books and watch all the sexy films, and I had The L Word to confirm my bisexuality. I still think of the joy I missed out on, the stupid things I could have avoided, the days spent questioning and not acting. I think of that anxious lonely girl or boy who doesn’t have the strength to wait ten years. What if one person telling them their feelings are valid, or hearing that ‘love is love’ gives them the permission to start finding joy?

 

Words by Lara Scott
Image courtesy of Showtime
Part of the September Sex Education Week, 2017.

Let’s talk about sex.

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If I remember correctly, sex education at my primary and secondary school was brief and severely lacking. I have googled so much. I am 21. I shouldn’t have to be asking the internet questions about sexual health or calling the doctor because I started a new pill and now one boob is bigger than the other (true story). It’s not safe. A lot of research done into the effectiveness of sex education as it stands has focused on unwanted pregnancy and STIs, but it’s not just that people get infections; shouldn’t young people be enjoying sex?

Sex education, or rather proper sex education, has become something of a passion of mine in the last year. I decided Anthem ought to take part in promoting good sex ed to the masses, and since then I’ve been reading, writing, and talking about it non-stop. I’ve learned so much – far more than I ever learned in school, and I’m very excited to be able to bring sex education week to you all, via Anthem. Ultimately, there is no limit on who should receive education, particularly education on life matters such as politics, finance or sexual health and wellbeing. As our goal is to present accessible feminism, we invite you all to learn a little this week, and to discuss so that we might help each other.

Sex education is imperative to all people, worldwide. As already mentioned, I’m not saying this because too many people are getting pregnant or something, I’m saying all this because there is a lot about our own health that can benefit us mentally, that we don’t know. This project aims to encompass as much as possible, so expect posts on periods, body image, healthy relationships and boobs (and so on).

There’s so much to learn, and so with the hope of doing this project annually, please interact with us, and tell us what you love, or what you want to know about next time. Our lovely Anthem writers have done some serious research, and have delved into their own experiences to bring you their pieces this week. These are not easy things to talk about, and we are not experts, but we have been through a lot collectively, and we want to share our knowledge with you.

Personally, I’m passionate about this project because I believe it is worthwhile; I think it can benefit everyone. This is not a project to be associated with embarrassment or stigma, but openness and truths. We want to talk about these things because people don’t, and none of us here think that’s quite right! Let’s talk about things, let’s not be afraid! Lend us your eyes and ears this week, and we’ll try our best to inform you of what we’ve learned, and maybe get you thinking.

We could be very dark and serious and hit you with all the statistics about the consequences of poor sex education (I may still do this later on, it really depends on how I feel), but instead, we want to make this project as positive and inspiring as we can. Take part as you wish: read, comment or even share with your friends. Who knows who we can help, together.

The project officially begins today, but we will be posting at least once a day for the next 6 days, and we implore you to embrace the topics wholly (even if you’re not a fan of blood). Please enjoy, share, and most importantly, learn! We can’t wait to share our work with you, and hope you enjoy the week ahead.

Love Anthem xo

 

Words by Briony Brake
Part of the September Sex Education Week 2017.

‘Watermelon’: A Review

“It’s okay if the love of your life is your best friend”

Last Sunday night I had the absolute pleasure of watching Box Room Theatre’s production of ‘Watermelon’ at the Hen and Chickens Theatre in London, as part of the Camden Fringe. The play was written by Georgia Green and takes a new and exciting look at the role of female friendships in modern life. Quite simply, Watermelon follows two girls named Abbie (Alexandra Proudfoot) and Zoe (Grace Hudson) on a night out, and a boy they bring home named Joe (Henry Taylor). Yet in just 55 minutes, it manages to introduce so many different layers and subtle hints at a wider life I desperately wanted to know. 

In case you hadn’t guessed, I loved Watermelon (and I don’t even like the fruit). The piece was exciting and dynamic, and ultimately showed the immense skill of Box Room Theatre in all aspects, particularly in the writing, and acting that came from Abbie, Zoe and Joe.

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To me, it felt like a case study of sorts on all the different relationships we have. The cast of Watermelon portrayed fantastic chemistry but were equally all able to hold their own in scenes. A relationship between a girl and the stranger trying to sleep with their best friend is one I hadn’t seen before, but thoroughly enjoyed; the sharp dialogue between the two was constant and entertaining. 

One thing I found most interesting was how it showed the friendship between Abbie and Zoe. A lot of things they showed, I had never experienced with my female friends such as taking boys home or discussing sex lives, but then there were so many things I had experienced a hundred times over, like the classic boy talks or even facial hair bleaching… It got me thinking about how no one female friendship is really the same, and how lovely that is.

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Watermelon is a beautifully open piece of theatre that takes the audience’s hand and invites them to share these experiences. Friendships are complex and can involve so much worry, and so to have a piece of theatre normalise that in front of my very eyes was comforting. 

Although very lively and, at times, laugh out loud funny, the piece also enters into some intense scenes, and some equally tranquil ones too. Fear and paranoia come into play when Abbie’s character goes missing in the night, and the relationship between Zoe and Joe develops immensely through the next half an hour of the play. They took a little slice of everyday reality and gave it so much life and depth; the audience is thrown into the drama with no warning, and it allows you to experience a great deal more emotion whichever way it swings.

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In the above photo, you can see one of my favourite scenes of the play. The team at Box Room have a huge imagination but are clever in their delivery. This simple use of fairy lights and music gave such intelligent lightness to the personal drama Zoe’s character was going through. I genuinely thought about the light sequences for the whole week after, I loved it that much.

Watermelon is an excellent example of young new writing that we should be paying attention to in the theatre. A simplistic but secretly challenging piece that is dotted with feminist quandaries most of us face on a regular basis (but perhaps aren’t as brave as Zoe when it comes to resolution). There’s so much to discover and explore that it’s hard not to love.

Four Stars for Watermelon!

 

You can follow Box Room Theatre on social media, and keep up to date with all the lovely events they host (enough to satisfy all your comedy and theatre needs)!

Words by Briony Brake
Images from Box Room Theatre

Wonder Woman: The Marketing, The Film & The Future

Wonder Woman came out in the UK on the 1st June, and although it’s still showing a few cinemas nationwide (if you missed out, don’t forget to check out independent cinemas who show films later), it’s generally on it’s way out until we see it next on DVD. Thankfully, a lot of people saw it making it a whopping £173m in its opening weekend, meaning Patty Jenkins now holds the record for the biggest US opening by a female director. 

I have a lot I’ve wanted to say about multiple aspects of the film, including a review itself, as well as how much I struggled with some of the marketing, and ultimately what it all means for the future. So make haste, there’s so much to discuss.

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I should also mention that this article is one part bad news, two parts good, and I’m going to start with the bad things. The way this film was pushed toward a female audience in its partnerships and targeted posts absolutely reeks of a room mostly full of men, all trying to work out how to market superheroes to women. YES I GET IT, SHE IS A WOMAN. You do not need to market her as a woman to me, a woman. You also do not need to market this superhero film any differently to how you market superhero films with men in. Women already watch superhero films, and go to the cinema just as much as men. Just get on with marketing a Wonder Woman film that we have all been waiting for, and show loads of kick-ass scenes and cool scenic shots from her homeland and we’re good to go.

Before I go off on a fully fledged rant, here’s a bit of an idea about the kind of marketing they did for this film. Take it in, and think about it. 

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Wonder Woman is one of the most bad-ass female characters ever, but gals let’s get together and have a girly night and go on a spa day!!! Let’s go see that mega babe, what a stunner that Diana. Please, stop trying to market her to women like we are an alien species.

Superhero films are all marketed pretty much the same way every time, unless they’re female superheroes. I love Wonder Woman as a character, and I always have. I also love pink, and am a bit girly, and being a human being I am capable of being and liking both. The point isn’t that you can’t be both, it’s that in the marketing campaigns for this film (including a free lipstick with your lady’s razor!), it was suggested that despite Diana being a superhero trying to save the planet, we still somehow see women as one thing. It’s very generic, and that’s a tad insulting, really.

Wonder Woman is Amazonian, and I’m pretty sure they don’t shave their legs or plan spa trips to Santorini (because they’re too busy shooting arrows at Nazis while they fly through the air).

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The two good parts begin now, and they will try their hardest to be brief.

The film was excellent. The Amazonian women were so damn cool, and so was Diana. I recently read an article praising the fact that when Diana jumps and runs and lands, her thighs jiggle. It’s very simple things that women have wanted in film for ever, and we’re finally getting them, and it’s finally happening, and I can’t help but think after all this time, was it really so hard?

Wonder Woman is a great film that genuinely has a superhero lead; it isn’t just a soppy romance, or an action-less female superhero flick. I felt so great watching it, I honestly was so happy at all the female characters whooping ass, at one point I nearly cried. 

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Most importantly with anything of this nature, is its consequences, or rather what it means for the future. The female director of a female-led superhero film holds a box office record, and fought off some major summer blockbusters like The Mummy simultaneously. This, plus the thigh-jiggling suggests more positive things in the future for women in films, and improvement in genres like action, horror and so on.

The only negative thing looking forward (the only big negative thing) is still the way we believe that women don’t watch superhero films, or scifi, or horror (despite the fact that sci-fi was invented by a woman), and as a result, the marketing and advertising done on films like this are still really crap. The next time they release a female-led action film or superhero film, I hope we can see similar publicity to male-led films in the same genres. 

Swings and roundabouts, am I right?

What did you think of Wonder Woman? Let us know, and feel free to tell Briony to stop ranting on here (I’m so sorry), and make sure you catch up with other great female led films coming out this year such as Raw, The Beguiled and Atomic Blonde.

 

Words by Briony Brake
Images by Warner Bros Pictures and Odeon Cinemas

Tate Britain Exhibition: Queer British Art 1861–1967

On my first full day living (temporarily) in London, I headed on over to the Tate Britain for the first time, to view their current exhibition, and the first ever exhibition on queer British art. The exhibition is free for members, or £15 otherwise (or £13.10 for all you students out there), and is so much more than an exhibition. 

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I went in around half past six on Saturday, and left almost two hours later. The exhibition is split into six sections, with other events around the gallery including music and spoken word performances. It’s a real celebration, and I expected nothing less.

The LGBT+ community are very present at the exhibition and it was nice to see an institution like Tate open their doors so fully to a community, and to allow fun, bright and happy celebrations to occur. The art itself is fantastically interesting, and successfully tells a story of generations of writers, painters and inspirations whose impact carries through to this day; from varying feminisms to early drag, and even fashion.

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Although the art and its stories are definitely worth talking about, I am not an expert, or even as knowledgeable about art as I’d like to be, and I think the best thing about the exhibition was not the frames on the walls, but the people walking room from room, celebrating their pride and their own history, just by being there. It was the most unique and charming atmosphere I’ve ever experienced inside a gallery.

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When I neared the end of the exhibition, having slowly wandered room to room, reading every plaque, and admiring every painting, sketch and statue, I could hear the thudding bass of an ABBA track in the distance. In the final room, two doors seemed to be illuminated pink from the other side, and I could hear an assortment of Madonna, Lady Gaga and similar. Upon opening the door and leaving the exhibition, we left the history behind, and entered into the bright pink party celebration where love happens, now.

People from all over were just dancing together to great music, and I don’t think it gets much better than that.

 

The exhibition is on until 01/10/17, book here: http://www.tate.org.uk/whats-on/tate-britain/exhibition/queer-british-art-1861-1967

Words by Briony Brake
Images by Tate Britain and Briony Brake

‘Colder Water’: A Review

Sunday afternoons for me are usually spent aimlessly engaging with whatever cheap dialogue is available on Netflix. Yet I was lucky enough to be invited by Antonym Theatre to watch their latest piece Colder Water, directed by Celine Fortenbacher-Poplawska, and 2016 Edinburgh Fringe success ‘TWIX’, directed by Cara Withers and Molly Evans.

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Out of the New Cross bubble, and with a £4.65 Voddy and Cranberry, I was ready to absorb the works of Antonym Theatre’s Double Decker: ‘Colder Water’ and ‘TWIX’. Ogden’s writing makes you walk in the characters shoes; no matter if those shoes are pinchy, floppy, or relatively comfortable, I was tying the laces of empathy as I went. Since finishing my second year of studying Theatre Arts, I turn to one of my favourite quotes to best describe pieces such as Colder Water and Twix.

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Laurie Ogden’s work may not focus on the lives of 19th century Russians, but it does focus on employing subtlety. Supported by lyrical monologues and passive-aggressive characters which allows her pieces to act as broken glass to present a unique glint into ordinary lives.  The premier of Colder Water was essentially an extract of an awkward, yet needed conversation between four individuals dealing with an unplanned pregnancy.

Colder Water’s subtly allows the audience to uncover that there is more to the situation than the conversation currently offers. Ogden explores our society’s extremely problematic values when it comes to dealing with sexual assault; “What were you wearing?”, “How much did you drink?”, “You were asking for it”, “You’re making it up”. All while sexual predators such as Brock Turner and Andrew Picard have the justice system wrapped around their privileged fingers. There is no point denying that the justice system prioritises their voice and the future of the attacker over the victim’s.

Colder Water’s depth of field focuses on Ally (Alice Brittain), Louise (Jess Reed), and Ellie’s (Laurie Ogden) internal perspectives of female connection, layering these women with intense humanity and interest. Ogdens depth of field allows Colder Water to artistically show a ‘social template’ wherein the attacker’s dialogue and privilege is removed. This template is something our society and justice system should be employing.

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In addition to Ogden’s use of subtlety, she liberates and showcases a lesbian dialogue between Ally and Ellie. Other than the series Orange is the New Black or the video game Life Is Strange, I’ve found that most theatre, art, or television I’ve engaged with is (mostly) heterosexual, or includes a gay-male character. Colder Water introduced me to a lesbian dialogue on stage. It was heart-warming to watch as the piece didn’t focus on the fight for LGBTQ+ rights, but rather the everyday lives of a couple, which I found enlightening to watch. Especially Knowing that artists such as Ogden are composing work about homosexual experience without a political drive – in regards to their rights. Again, Colder Water serves as a template for showing that we’re in the 21st century. Lesbian relationships are more than acceptable and shouldn’t be excluded from art and theatre.

Overall, I think Colder Water is pretty neat and has potential to rock the feminisms world! A massive well done to Laurie Ogden and Celine Fortenbacher-Poplawska and the cast/crew of Antonym Theatre! I give you five stars! (literally)

Peace, Love and Cacti

Courtney McMahon

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p.s. not all dialogue on Netflix is cheap

 

 

Words by Courtney McMahon
Images courtesy of quotefancy, Antonym Theatre, Theatre N16 and Courtney McMahon

I’ll Wear What I Like

I love make-up. I love wearing it, I love buying it and I love trying it. But I don’t wear a lot of it very often because frankly, I feel self-conscious. How many times have I heard someone being called out on the make-up they wear: Are you going out on a date? Who’s the lucky guy? Are you trying to impress someone? Hell yeah, I’m trying to impress me!

Sometimes, I wake up and I think today I’m going to make an actual effort with my appearance. It makes me feel good. It makes me feel powerful. Like yes, I’m wearing a beautiful red lipstick and I can get shit done whilst I’m wearing it. Yet, there’s this assumption that you’re trying to show yourself off. There are streams and streams of men online complaining about how women use make-up to lie to them. Lie to them. Don’t you think there are much easier (and cheaper) ways to do that?

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For one thing, wearing a lot of make-up, and doing it well is just another new trend; how many videos have you seen of girls doing their make-up online? You don’t get berated for wearing a crop top and high-waisted jeans because you’re trying to show off to boys. Everyone knows you do it because you look cute af. So why should make-up be any different? Why does it have to be for someone else?

Sure, for a lot of girls, they are trying to impress someone. And it’s such a shame that we’ve lost our way so entirely as a society that there are girls who think the best way to do that is by covering as much of their face as possible. Yet it’s understandable why they think that with ridiculous movies like ‘Red Shoes and the Seven Dwarfs’ and its advertising campaign suggesting that one type of body is more beautiful than another.

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And it doesn’t help when other women are just as bad as men.  Honestly, how many times have you heard your friend talk shit about a girl’s eyebrows, or how much foundation she’s wearing? And if you have (I know I have), did that really make you feel any better about yourself?

As for the people who think that all the girls who wear make-up are dumb and won’t get far in life or aren’t ‘true’ feminists – just think for a second. Think about Beyoncé, Emma Watson, Michelle Obama. Do you really think they rolled out of bed that way? Hell, they’ve got whole teams of people to do their make-up. So that they can feel confident and empower women – and show us just how easy it is to do both.

Feminism isn’t about whether you shave, or wear make-up or pamper yourself. How many times do we have to say it – it’s about equality. It’s about not judging people or treating them badly because they do things a bit differently to you. You do you. As for me, I’ll wear that beautiful red lipstick.

 

Words by Jessica Yang
Images from YouTube and Locus

Anniversary Post: Why We Write

Today marks one year since Anthem took to the internet, and began its journey to provide a platform for women. In a year, we’ve written about a lot; from bras and sex work to theatre and cooking. All that matters for us, is that women get the chance to talk about what they want to talk about and that they are heard.

We thought to celebrate our birthday that some of us would say a little bit about what we’re actually doing here, and why we choose to write for Anthem.

 

SIAN BRETT

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In Anthem, Briony has created a platform for women to have a voice, and talk about the things that might otherwise go unsaid. To vent frustrations, and question the things that affect us every day. We say ‘I’m right pissed off about this thing’ and she says ‘write it’ and before you know it, people are agreeing with you on Facebook, and Twitter, and saying they know what you mean, and yeah, me too.

That’s why I love it. It’s a sharing, a conversation, a dialogue. It’s a chance to properly lay out what’s going on inside your head, and strip back fucked up media representations of women. To have other women share your experiences with you, but also to have them share other, different experiences.

It’s women’s voices, rising in a chorus. Isn’t that just the best thing?

 

JESSICA YANG

A lot can change in a year. You can move house, you can start Brexit, and you could even become president of the United States (because apparently anyone can these days). But there are some things that take much longer than a year.

Feminism is recognised to have begun in the late 19th century – with the long and hard claim to the right to vote. Three waves and hundreds of variations later, we are here. We are still fighting. There is still gender inequality, and misogyny, and people telling children ‘boys don’t cry’. As feminists, we have evolved. We have succeeded in so much, but there is so much still to overcome. Whether it takes a year, or ten, or a hundred.

It’s not just about fair and equal treatment of men and women anymore. This fight is about mental health, the media, and, like all those years ago, politics. And so this is why I am a feminist. This is why I write for Anthem.

AMBER BERRY

I write for Anthem because feminism is, and has been a passion of mine for years.

I find writing cathartic, and it is key to my self-expression. It also has the awesome added bonus of raising the awareness of important topics!

 

ROWAN DUVAL-FRYER

Why Anthem? Because I see the gaps in the media, in the magazines, in the news, and I want to fill them.

I feel that Anthem is about more than feminism, it’s about challenging sexist norms, opening up about fears, and being honest about the fact that we all really hate exercise.

This inspirational group of young women are representing the people I wanted to see represented and that is something I want to be a part of!

LARA SCOTT

Lara SCOTT STA SAME PLS

I look forward to writing for Anthem because in these divisive and turbulent times it is a great source of hope to have online which is created and written by, for and about women.

Full of intelligence, inspiration and support.

Finally, from us all: 

Thank you again for you support, we can’t wait to see what the future has in store for Anthem.