feminist

Let’s talk about cysts, baby.

In recent years, crippling conditions such as endometriosis and polycystic ovaries have become more widely discussed thanks to women such as Lena Dunham talking about their experiences. The increasing awareness of these conditions is fantastic and needs to continue, yet very often, little is spoken about their cousin – dermoid cysts.

Dermoid ovarian cysts are benign tumours made up of a collection of cells that are used to create eggs. As eggs have the ability to create any type of cells, dermoid cysts can consist of a wide range of different types of human tissue, including blood, fat, bone, hair and teeth all in one beautiful lump, and effect on average 1 in 5 women, with cysts that cause symptoms affecting 1 in 25. They can vary in size and symptoms, with some women never even knowing they have one if it remains small. They can range from being 1cm up to 75cms. My first cyst was 15cm, my new one is currently sitting pretty at 4cm.

Dermoid cysts are a recurring problem and must be surgically removed when they begin to cause problems, yet there is surprisingly little information available on them. A quick google search led me to a forum of women asking for information from each other on the issue. These were women who had had multiple cysts removed, who’d had ovaries removed and yet still had very little information on the condition. I myself had never been told that they reoccurred until another one decided to pay me a visit, but I was quickly informed when I questioned the doctors that this is incredibly common and should have been unsurprising to me.

So why am I so keen to tell you all this? Well for one, I think it’s important for all of us to know a bit more about what can go on down there, but also, I want to spread awareness of how much this can affect people’s lives when they do show symptoms.

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My first cyst was diagnosed after over a year of constant pain and tests. I had to take a year off school, and during that time I frequently cried and vomited from pain, and on multiple occasions, I was unable to move from my bed for several days at a time because of it; it really was a literal pain in the backside. I had scans of my brain and my spine – at one point they thought I had MS because the cyst was pressing on my spinal nerves and causing neurological symptoms such as my hands being unable to hold pens and cutlery. Eventually, after eighteen months (and a very perceptive trainee nurse) they found it, and I had emergency surgery. I was lucky. My surgeon was amazing and saved my ovary, but this is not the case for so many women. Many women who have dermoid cysts have had to have their ovaries removed for the sake of their health, but in turn, give up their fertility. I myself now have a life plan in place to manage the condition.

I can only speak from personal experience, but being told that I had another one devastated me. I remember practically skipping to the hospital to rid myself of this thing back in 2013 and three years later I was being told that I had to go through all that again.

I’m nowhere near where I was last time with the pain and discomfort, in fact, I can forget about it a lot of the time but then it comes back to remind me that it’s still there. I have missed meeting up with friends and going to their parties because “I have a really bad headache”, or “I just have too much work to do” whilst in reality I’ve typed that whilst curled up in a ball crying in pain desperately waiting for the paracetamol to kick in so that I can have the smallest slice of relief.

I have come to terms now with what lies ahead, I have a life plan organised with my doctors and I’m working on techniques to manage the pain (FYI – if you’re ever really frustrated it helps to watch YouTube clips of Malcolm Tucker and just let him channel your anger). Some women, as I have mentioned before, aren’t as lucky as I have been; they’ve had hysterectomies and cysts which have been much larger and more aggressive than mine. This is why I want to raise more awareness of dermoid ovarian cysts. I described my experience of my first cyst – a year and a half of pain and frustration whilst being poked and prodded – but my second one has so far been much better because this time I knew what to look out for. I went to the doctor, I got a scan and it was diagnosed early and now they are able to monitor it and largely keep it in check. I cannot express enough how much better it is to go to your doctor if you suspect anything than sit around hoping it will go away – it could be nothing, but it could be something and that’s worth finding out.

 

If you want more information about the signs and symptoms of dermoid ovarian cysts along with general gynaecological information visit the ‘Royal College of Obstetricians and Gynaecologists’ website.

 

Words by Eleanor Manley
Artwork by Celia Mohedano

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‘The L Word’ is coming back!

The show that gave me hours of joy and the confidence to come out has announced its return and I couldn’t be happier.

It was an ordinary day in October of 2016 when I walked into the living room and told two of my flatmates – I had come to the realisation, and finally had the confidence to say that I was bisexual. Even writing these words I feel myself breathing out. It feels as though I’ve been wearing the wrong size jeans all my life causing me to pull and tug trying to make them fit, but now I’ve added an extra button and everything has fallen into place.

As the weeks went on, I slowly came out to my family and close friends. The more I said the words, the more the jeans started to fit. Of course I had done a lot of thinking and tracing back through my life. I realised that this had always been a part of my me, but I had never been able to admit it to myself. I hadn’t had the words to describe my feelings, I couldn’t put two and two together. As I talked to friends and they asked all their questions, I kept coming back to early 2014.

s1Lquiz480I was living in Bethnal Green with my sister and friends, all of whom had just graduated from University themselves, as I was still completing an access course in order to get there. I was drowning in essays and projects, and my room became my study. The only way to get through it was to escape into TV & Film after a long day of work. I had also just discovered the joys of Netflix and the copious amount of entertainment it had to offer. One night I was trying to choose something to watch when I came across an American TV series called The L Word. The series followed the lives and loves of a group of women; all of whom were gay or bisexual in LA. I should have known that night, having chosen out of hundreds of options to watch such a specific show. A few episodes in I knew something had changed, or to be more precise, something had been found. I couldn’t stop watching this funny, warm, honest and human show.

These women weren’t stereotypes, they were people. As is my want, I started to investigate and discovered just how groundbreaking this show had been when it first aired in 2004 (and continued to be in its six series run). So rarely on American television does a project centred around women, with an entirely female main cast, creatives, and crew get commissioned. The L Word storylines echoed my own, at exactly the right time, and when I needed it the most. I was investigating and asking questions and the women of the L Word gave me the answers.

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As with all ensemble shows, you pick a favourite character, and as is true for many The L Word viewers, mine was Shane played by the wonderful Katherine Moennig. At the start of the first series, Shane is introduced as the Lothario of the group; a woman who other women are drawn to, if only for one night. As the series goes on she becomes so much more, and evolves into a three dimensional beloved character. I related to her because she was the youngest cast member, like me in her early twenties, and unlike the other women, had no intentions to settle down.

She is a character who is comfortable in her own skin, never compromises herself for others, and a woman who always goes by the beat of her own drum. If truth be told, it was love at first sight and a love which grew with every series. From one night stands to almost saying ‘I do’, Shane’s storylines were never boring but funny, moving and at times heart-breaking. I was overjoyed when she appeared on the screen and missed her when she wasn’t.

As the series went on I felt as if the women of The L Word had become friends whom I was checking in on with every episode. I came to love them all in their own way, but Shane would always be different. Here was a woman who I fell for as soon as she came on screen, the first woman I had been attracted to, and someone I could imagine myself with. Of course I know that falling for a character and a real human being are two very things, and that we project so much onto actors who portray much-loved characters, but this had never stopped me falling for male actors.

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In July it was announced that The L Word would be coming back, which caused both celebration and outrage in the LGBTQ+ community. Commentators have been looking back at the series and wondering what this new series will bring, how it will speak to a new generation of lesbian and bisexual women, and most importantly how it will fit into the cultural and political landscape of 2017. For all the good that The L Word did, like all cultural phenomenas, it had it’s problems. I hope in it’s new incarnation we see more WOC within the main cast, rather than one a series (with the exception of Kit), and I hope they give the trans community a character who doesn’t just struggle but thrives.

I for one am beyond excited by the idea of more The L Word coming my way. When I heard the news on a Tuesday morning, having only just recovered from London pride, I was in the middle of my own The L Word re-watch and was preparing myself for the end. Logging onto Twitter I saw the excitement from fans and cast alike, and couldn’t believe I would once again be ‘loving, living, laughing’ with Shane, Bette and Alice and a whole new host of women I could fall in love with. I immediately messaged my old flatmate who shared in my newfound excitement in finding The L Word in 2014, just as she had in previous years. We were both excited to have Shane back in our lives and even talked of having a The L Word screening party when the release day arrives.

 

Words by Lara Scott
Images by Showtime                            

 

 

                                            

 

 

 

 

‘Little Eden’: A Review

In a world where reptilians rule and demand daily doses of blood from all of the earth’s citizens, Little Eden tells the story of Jim, an office worker happy to comply with the rules, but who slowly becomes aware that all he has been told about how the world works may be untrue. As secrets unravel, Jim’s safety and life as he knows it hang in the balance.

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The debut production from Neon Peach Theatre is full of slick performances and big characters that make for an enjoyable romp through this world. Although the world could do with being a bit more solidified, and the set up a bit clearer, the fact that there’s a yearning to know more about the world demonstrates that it’s an interesting one. But with a slightly off version of reality, without clarification of what exactly is going on, it can become hard to follow and properly appreciate when the rules of the world start to come undone.

13320957_10154059108736233_6691409396024720195_o[1]An ode to 50’s sci-fi B-movies, Little Eden’s set, sound, and lighting design perfectly encapsulate this little pocket of cinematic history. Although this is a genre rife with joke possibilities, there was definitely the opportunity for more of this within the piece; the set-up is so rich, I was desperate for more gags and over-the-top self-awareness.

Liam Farmer gives a lovely performance as ‘The Vicar’, who narrates the entire show and is bombastic and incredibly fun to watch. Having a narrator on stage continuously can be a difficult thing to balance with the action of a show, but Neon Peach manage it perfectly. A special mention should also go out to Sophie Miller De Vega whose performance as the local nurse never becomes too ‘bimbo’, or dull, but continues to be funny despite her high-heel, pinned-up-hair, white-coat stock character.13316950_10154059108191233_8984799620704698462_o[1]In a small studio space like Camden People’s Theatre, it can be hard to visually engineer a whole world, but the transitions between different spaces and the way that the narrator interplays between it all is one of the strongest facets of the piece.

A work in progress that needs just needs a bit more of everything, Little Eden has potential, strong performances, and most of all, it’s proper good fun.

 

Here’s how to follow Neon Peach Theatre on social media:
Instagram: https://www.instagram.com/neonpeachtheatre/
Facebook: https://www.facebook.com/NeonPeachTheatre/
Twitter: https://twitter.com/NeonPeachInc

 

Words by Sian Brett
Images by Jon Lee
 

 

Playlist: Briony’s Summer Anthems

“Summertime is here again, and my hayfever is through the roof. Thankfully sitting inside and sneezing gave me an excuse to make up a new Anthem playlist full of excellent female tracks to listen to whether you’re out on the beach or hiding from the sun like me…”

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Click here to listen: Briony’s Summer Anthems

I’m tired of fighting.

I’m a 20-year-old woman in her final semester of university, and in my spare time I write and edit for this website that I started almost a year ago. I haven’t posted much recently for two reasons: firstly, I’ve been working on a dissertation among a few other deadlines at university, and secondly, I’m exhausted.

My friends all like to wind me up for being a feminist. They like to tell me about stupid things people have said who claim to be feminist but aren’t (if you hate men, you’re not a feminist, so if you would kindly stop dragging the rest of us down, I’d be grateful). I have colleagues too, everyone enjoys telling me about stupid things ‘feminists’ have done, or how they enjoy taking them down online. Obviously, for them, it’s very funny, but for me, it’s wearing. I always clarify what feminism is and why I believe in it, but it doesn’t stop it. 

“Power to the Girls”

When I see girls, particularly younger girls and teens wearing t-shirts that say anything feminist, I smile. I’m so glad that the work of previous generations won’t end, and I’m hopeful that the future will be better. But I’m also not an idiot. I know full well that some minds won’t be changed. I know that Trump isn’t going to come out tomorrow and say ‘Gee those feminists are on to something’, nor are the Daily Mail going to cover female politicians saying ‘aren’t these women smart and powerful’ instead of talking about their legs (don’t get me started).

I know we aren’t equal. We don’t think equal. And I can’t help but agree with Emma Watson in thinking that we won’t be equal. I don’t see equality in my lifetime. I’d love to, but if it took a woman getting crushed by a horse to get us the bloody vote, I dare not ask what it would take to get where we want to be. 

I’m a feminist. I don’t really care about my personal equal pay because I’m paid the same as my male colleagues, but I care about the statistics suggesting black women lose out on almost 40% of white men’s wages1234. It’s not about me, but I still care about it. I raise an issue with men’s pressure to be manly and unemotional as it leads to dangerous numbers of suicides and mental health issues. I struggle with the international treatment of women such as FGM, truancy because of periods, rape, child marriage, and so on. It’s not something I will experience in this country, so should I just turn a blind eye? No, because I’m not an arsehole. This is deathly important and we’re all just making out like it’s not our problem.

The skirt in question…

I face issues in this country that anger me on a daily basis. It was the hottest weekend of the year so far recently so naturally, I wore a skirt, but with trainers and a long sleeve top. That didn’t matter though, legs were visible, so three different men in cars slowed to shout things or whistle. You can bet that made me feel horrible. I wanted to put my jeans back on and suffer in the heat because I felt so uncomfortable that 3 different cars of men felt perfectly comfortable to make comments on my appearance and sexualise me. It’s absolutely disgusting. It is not a compliment to make someone feel unsafe. I don’t need to excuse myself, that is not a compliment.  

I’m really sick of being called girly for liking pink, watching a lot of Julia Roberts films, and shopping excessively. These things make me happy (plus I walk double my normal steps a day when I shop so at least I’m exercising), but it’s stupid because I’m a girl and girls are stupid. I’m just so fed up. I could honestly just curse for hours and throw things because I’m so damn sick of all of it.

Why should I get stressed out because I care about something that is inherently right? It is moral, and just. It is not that we are asking a lot, we are asking for life as it should be. I should not be less than a man, nor treated less than, because I am not less than a man. I am equal. I am equal to a man. 

The necklace I now wear on a daily basis

I’m so tired of doing this. Sometimes I don’t want to do it anymore. Sometimes I think, like right now, that I don’t want to be a feminist anymore because it’s so much hard work and no one cares in the slightest what I think. I feel as though I’m wasting my time, and annoying my friends. It’s ridiculous. I shouldn’t have to fight in the first place, let alone be questioned for doing the right thing. I know I’ll post this and someone will either question a point I have made, or people will continue to joke about being a woman or a feminist and how I am lesser.

As someone who struggles to keep her head up a great deal of the time, I don’t really need the extra negative emotion that comes with pushing the way I do. I’m constantly down, or humiliated, or angered, or panicked, or uncomfortable and I could cry just thinking about how bad I am made to feel. I just want it to stop.

I’m doing the right thing. So either join me or leave me alone because I can’t leave this fight. I made a commitment, I started a platform to help, and I can’t quit. It’s so exhausting and even if I don’t want to do it anymore, I have to. If you have no support to offer, I’d kindly ask you to leave off, and save everyone the unnecessary negative emotion; there’s enough going around as it is. 

The Guardian: ‘Gender wage gap costs minority women more than $1m in some states
2 National Women’s Law Centre: ‘The Lifetime Wage Gap by State for Black Women
Bustle: ‘8 Startling Statistics That Show How The Pay Gap Affects Women Of Color Differently
4 American Association of University Women: ‘The Simple Truth about the Gender Pay Gap

Words and images by Briony Brake

Another Feminist Gift Guide for 2016

You’ve probably already seen around 100 different gift guides on your news feed, or on Amazon or Etsy, and you may even have read some of them, and the may even have been feminist or girl power gift guides, but I’ll be damned if I’m not making my own for Anthem. I spend enough time online window shopping, I might as well share my findings. So here’s a few items I think the girl power enthusiast in your life would appreciate…

  1. Don’t Fuck With Feminism‘ jumper from Joanna Thangiah
    $50 (roughly £40) from her online store
    Find it here.
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  2. A sassy/glittery pin from Robin Eisenberger
    $10-$12 (roughly £9) from her online store -she also stocks stickers, and her own illustrated zine.
    Find them here.
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  3. ‘Bad Girls Throughout History‘ illustrated book by Ann Shen
    £10.78 hardcover from Amazon
    Find it here.
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  4. ‘Girls Need To Support Girls‘ crop top by Minga
    £14.90 from Minga London’s online store
    Find it here.
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  5. Love Sick‘ book by Jessie Cave
    £9.98 hardback from Amazon
    Find it here.
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  6. ‘Milk and Honey‘ book by Rupi Kaur
    £6.99 paperback from Amazon
    Find it here.
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  7. Cuterus‘ enamel pin by Punky Pins
    £6 from their online store – full of cute pins like this one
    Find them here.
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  8. Femme Ain’t Frail’ gift set (enamel pin and patch) by WhoAreYouCurlySue
    £11.42 from her Etsy store – items can be bought individually.
    Find them here.
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  9. ‘It’s All Absolutely Fine: Life is Complicated, So I’ve Drawn it Instead’ book by Rubyetc
    £9.99 paperback from Waterstones
    Find it here or in-store.
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  10. Girl Almighty’ lightning bolt pin by Milly Pins
    £7.34 from her Etsy store
    Find it here.
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  11. Girl Gang‘ embroidered hoodie by Missguided
    £18 from their website
    Find it here.
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  12. Feminist Activity Book‘ by Gemma Correll
    £9.66 paperback from Amazon
    Find it here.
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  13. Pendant necklace from H&M
    £2.99 from their website or in-store – silver and gold available
    Find it here.
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  14. Girls Bite Back’ sweatshirt from H&M
    £6.99 from their website or in-store
    Find it here.
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  15. Feminist journal/diary from Chronicle Books
    £7.99 from Amazon
    Find it here.
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So there you have it, my list of 15 items (mostly books) that would make a pretty snazzy feminist gift (I know I like them). Seriously though, if you have a man or woman in your life who’s getting into feminism of any kind, then go for a book and let them read up. Some of these books are an excellent place to start, as well as Bad Feminist by Roxane Gay, anything by Caitlin Moran, or Virginia Woolf, or just go on up to the Sociology section of Waterstones and choose for yourself.

Happy Gift Giving!

 

Words by Briony Brake
Images courtesy of Joanna Thangiah, Robin Eisenberger, Ann Shen, Minga London, Jessie Cave, Rupi Kaur, Punky Pins, WhoAreYouCurlySue, Rubyetc, Milly Pins, Missguided, Gemma Correll, H&M, Chronicle Books, Amazon and Etsy.

#Cam4Art

Let’s just state the obvious here; we’re glued to our electronic devices. Even if you consider yourself someone who is not glued to an electronic product, you probably still use one to make life a bit easier. But this article is not about how you might ignore your Grandma to check on your Instagram likes, this article is about a new movement in the art world called #Cam4Art!

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#Cam4Art is a product of our time, an event responding to digital intimacy and our intense internet culture.

#Cam4Art is a live-streaming performance art event created by my home-dawg Kia Nicole Noakes and Nicholas Tee. #Cam4Art will be taking place between the 25th-30th of November 2016 and is possibly the most accessible piece of performance art you could ask for, and you should not miss out on this opportunity! Here are just a few of its benefits:

  •   #Cam4Art is completely free!
  •   Even if art is unlikely to gain a double tap from you, #Cam4Art includes over 30 artists from across the globe who produce different forms of performance art. So there’s a chance you’ll find someone you will enjoy!
  •   #Cam4Art is online! No matter where you are or what device you are using; you can watch and enjoy performance art without the hassle of leaving your house!
  •   If you miss the #Cam4Art event, it’s not a problem! The performances will be recorded for you to look back on!

Before you grab your diary and save the date, I’ve selected four female artists who I’ve taken an interest in and who will hopefully interest you also, and may even feed your feminist appetite!

Emily Roderick
“Microscope Performance II”
Friday, 25th Nov. 21:00 (GMT)

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Emily Roderick uses technology such as digital microscopes and screens to explore her body and surroundings during a live art performance, and you can see more of her work here: http://cargocollective.com/emilyroderick

Why did you choose performance art to express your work?
I find performance art one of the most interesting art forms for both the artist and the audience. With quite a strong interest in the senses, the body, and digital identity, performing my ideas felt like the most suited form. I am relatively new to performance but it already feels like a very valuable decision that I have made within my work.

What responses do you get from the feminist community?
The feminist community have been very supportive of the work that I make. I think what has been most intriguing is the interest and support of the technology that I am integrating into my performances and videos. It is great as a woman to be working with code and physical computing. Embracing a male-strong industry within my practice has brought me nothing but respect as an artist. Due to only recently getting my face into the art world, most of the support resonates on social media, which is great when I am referencing cyberfeminism and networked feminism. I hope that this support continues to build within the artists community.

Do you ever get any negative responses from people who claim to be feminists? If so, how do you respond?
I personally haven’t received any negative responses about my work or ideas. I’d like to think that people approve of my ideas and like to promote feminism, more recently cyberfeminism. If I were to receive anything negative, I would be interested in hearing their view and why they feel that way. I am not here to preach but would express the ideas of equality, and that art is a great platform to express these views to a wider audience.

Why have you chosen to participate to #Cam4Art?
I first saw mention of #Cam4Art through my university. I was attracted to the fact that the organisers were pitching their ideas to a wide range of artists and were keen to get students involved. The ideas seemed fresh, and looked to celebrate the online platforms that we have access to today, as well as suggesting new platforms for exhibiting work. Despite having a digital aspect to my work, I was yet to experiment with the online world to display my live performances. #Cam4Art seemed like the perfect way to explore the online community and give an alternative output of my current work.

Lindsay Dye
“Variety Show”

Friday, 25th Nov. 22:00 (GMT)

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Get ready for Lindsay Dye’s “Variety show”, where the clue’s in the name: webcam mutations, readings, and visuals. See more at: http://www.lindsaydye.com

Why did you decide to use your job as a Cam Girl in your art?
I was making art about internet relationships and Miami strip club culture while I was in graduate school in NYC. My research about sex work brought me to cam culture. I became a camgirl to analyze the community and to understand conceptual projects like the Camgirls Copyright Infringement Dress that cannot be worn in public, and the Buy Me Offline Shop, an e-store where you can purchase physical screenshot prints, originally used as blackmail from my chatroom clientele. Three years later, it’s my full-time job and continues to be a source of artistic fodder.

Do you ever get any negative responses from people who claim to be feminists? If so, how do you respond?
Disengagement is the most harmful response I receive from anyone. It’s painful when another human disregards your intellect because of your occupation. My long-term response has been the integration of my two jobs: camgirl and artist. This has made a smoother entrance to talk about sex work and feminism to both men and women through the art I make, and the chatrooms I inhabit. The response is that women and feminists are more than this one thing that supposedly defines us; we are complex and attach ourselves to many identifiers, by choice and by experience.

Why have you chosen to participate in #Cam4Art?
This show represents the exact space in which I’ve been working for the past few years, an autonomous one. Autonomy is the silver lining to camming and #Cam4Art’s fundamental concept, that is to exhibit work on the artist’s terms. The juiciest part is that performative work online becomes mutated immediately just by using the medium of the internet. The layering of audiences on multiple platforms becomes innumerable and lost. There’s a level to live-streaming that can’t be perceived.

Kate Durbin
“The Supreme Gentleman”
Saturday, 26th Nov. 20:00 (GMT)

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Kate Durbin will be streaming her pre-recorded work “The Supreme Gentleman”, which was created in response to the tragedy of the Isla Vista shooter, Elliot Roger. See more here: http://www.katedurbin.la

Why did you choose performance art to express your work?  
The Supreme Gentleman was initially commissioned for Yes All Women, an art benefit in Los Angeles created by Jessie Askinazi and emceed by Rose McGowan, with the proceeds going to the East Los Angeles Women’s Center. The Yes All Women benefit was inspired by the hashtag #YesAllWomen, which was created in response to Isla Vista shooter Elliot Rodger’s 2014 killing spree. Rodger espoused misogynist and racist beliefs on YouTube and gamer websites prior to his shooting rampage in my home state of California, and no-one did anything about it.

The Supreme Gentleman is a re-enactment of Rodger’s final YouTube address. It was important for me to physically embody Rodger’s words as the type of body he felt so entitled to: a white woman. I wore a long Lady Godiva wig and BMW panties because he objectified blonde women and cars (BMWs were his favourite). I spoke his horrible words out of my own mouth in order to diffuse their power; the change in tone of the voice reflects that these are not even Rodger’s words, but the words of a white supremacist patriarchy, a collective belief system larger than individuals.

What responses do you get from the feminist community?
A lot of people who consider themselves feminist like my work. The Supreme Gentleman was commissioned for a feminist project, the Yes All Women art auction benefiting the East Los Angeles Women’s Center.

Do you ever get any negative responses from people who claim to be feminists? If so, how do you respond?
I do, at times. I listen to critique but when it mischaracterizes my work
 or becomes hateful, I tune out. I don’t feel obligated to personally respond.

Why have you chosen to participate to #Cam4Art?
I want the work to continue to have an online viewership, especially now with a Trump presidency looming in my country. One of the things I was thinking about when I put the work back on YouTube, along with the addition of the karaoke sing-a-long text, is how we turn mass shooters into gods through the media. I was thinking of how we help that process along through clickbait. I am thinking about how we have done something similar with our current presidential election. As artists we can draw attention to this process, can try and interrupt it.

Seren Metcalfe
“Laying Within a Bed of Spring Greens”
Monday, 28th Nov. 22:00 (GMT)

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Seren Metcalfe’s performance focuses on the relationship between a person expressing emotion onto an inanimate item. Find out more here: http://www.serenmetcalfe.co.uk

Why did you choose performance art to express your work?
I wanted to convey a sense of intimacy and discomfort within my work as this just wasn’t being conveyed through the videos and photographs I was creating. I am a performer because I realised the only way for me to truly be intimate with the viewer is to be present. There is something amazing about a viewer being able to watch my body move,  hear the sound of my breath, and watch the emotions on my face in real time!

What responses do you get from the feminist community? Could you give an example?
I’m not sure about using the term ‘feminist community’ so exclusively but I guess my work is very self-empowering, and when I perform I put myself in a very vulnerable position. It’s strange when I get comments saying “you’re so brave for being able to do that”. I wonder if I would get the same reaction if I was a man performing? But then to flip that around, I think maybe the performance would be a greater success if I was a man portraying myself as vulnerable.

Do you ever get any negative responses from people who claim to be Feminist? If so, how do you respond?
I mean, I don’t think you have to be a feminist to understand my artwork. My artwork isn’t exclusively for a feminist audience, it’s for anyone.

Why have you chosen to participate to #Cam4Art?
I’ve done performances through webcam previously and they’ve been less successful so I’m really excited to develop something better than I have done previously. Its really great to be part of a network of so many unique performers. There’s a real sense of togetherness about it.

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If you are an artsy-fartsy individual like myself, it’s now time to consider: “Is live streaming the future for performance art?” (Huck Magazine). I believe that the #Cam4Art event will most definitely answer this question, so make sure to tune in between the 25th– 30th of November 2016 here: http://www.cam4art.com

 

Instagram: https://www.instagram.com/cam4art/
Facebook:  https://www.facebook.com/cam4art.cam4art/?fref=ts

Images courtesy of #Cam4Art, Emily Roderick, Lindsay Dye, Kate Durbin and Seren Metcalfe.
Words by Courtney McMahon and external opinions from Emily Roderick, Lindsay Dye, Kate Durbin, and Seren Metcalfe.