poetry

THE MANLEY GUIDE TO FEMALE AUTHORS – Part 2

part 2

‘The Outrun’ – Amy Liptrot

As I sat writing this I realised that Amy Liptrot’s ‘The Outrun’ is one of those hard-to-describe books. It is an autobiography, but it also feels in some way like a travel guide, and love letter, to Orkney (I myself now have a long list of places to visit). Really though, it is about her journey through alcoholism, her descent into it, her recovery and her re-discovery of the wild and beautiful place she grew up.


‘I’m the King of the Castle’ – Susan Hill

If you didn’t read this at GCSE (as I first did), you should definitely give it a go now. ‘I’m the King of the Castle’ is written entirely from a child’s perspective – Kingsley’s. This is a particularly effective method as we the reader have to experience his bullies, his fears and his pleading with adults first hand and the devastating effect all this has on him. Susan Hill, in my opinion, is a fantastic writer and I believe this to be one of the best examples of her work – and a great gateway to her other books.


‘He Named Me Malala’ – Malala Yousafzai

As I’m sure everyone knows, in 2012, Malala Yousafzai was shot in the head by the Taliban for campaigning for the equal education of women and girls in Pakistan. She survived, and is now studying at Oxford University and continuing her fight on a global scale. Yet her autobiography tells us the stuff we didn’t know. Malala documents her life growing up in the Swat Valley, the beautiful mountains and it’s fascinating history, the rise of the Taliban and her road towards activism as well as her life after that moment in 2012.

I loved this book because of that different knowledge; it was refreshing, heart-warming (and a little heartbreaking) to hear about life in Pakistan for the normal people like you and I and not just what we see on the news. ‘He Named Me Malala’ is an informative and inspiring read that should be added to your shelves.


‘The Bloody Chamber’ – Angela Carter

‘The Bloody Chamber’ is a collection of short stories by Angela Carter. Each story is based on a traditional fairy tale, but with a twist. Carter takes the basic narrative of each tale she is using and infuses them with something both dark and mystical whilst also echoing reality. As with a lot of traditional fairy tales, each story centres on a female protagonist. However, Carter uses her stories to highlight the very real problem of violence against women, whether that is social, economic or physical.

This was the first book I read by Carter and it got me hooked (which I’m sure you’ll hear about in other posts), I loved the twists and the ability to debate and discuss the topics with others. I also found it fascinating (and a little sad) that the issues raised are still so relevant today almost 40 years later.


‘Women and Power’ – Mary Beard

The fifth book on this list is the critically acclaimed ‘Women and Power’ by Professor Mary Beard. In this book, Beard chronicles misogyny all the way from ancient Greeks and Romans through to today and assesses how these ancient mythologies are still used to undermine, and target, powerful women in modern times. Perhaps one of the most notable was the use of the Medusa head against Hilary Clinton in the 2016 Presidential Election.

Although this is a bit of a challenging read, it is well worth the time and effort.

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‘And Still I Rise’ – Maya Angelou

‘And Still I Rise’ is one of Maya Angelou’s poetry collections featuring the two poems that first lead me to fall in love with her – ‘Still I Rise’ and ‘Phenomenal Woman’. Angelou’s poems discuss love, life, her experiences as a black woman and growing older,  and whilst each one is deeply personal the themes have universal resonance.


‘Everyday Sexism’ – Laura Bates

This book was the cumulative result of a social media campaign started by Laura Bates in 2012 to document the sexism experienced by women on a daily basis in all areas of life and work. Bates has split the book into various chapters (as authors often do) so as to best examine each sectionality and area of life as closely as possible and backs everything up with facts, which are quite often depressing.

However, despite this, I found it weirdly inspiring and after reading it I bought it for a friend who gave it to her friend and recommended it to others, as I also did. It really is a book that no matter how old you are it is relatable to every one of us (unfortunately). It is a book that should be read by, and affects, everyone. It not only educates, it also makes you say ‘me too’. To quote Caitlin Moran, “it will make most women feel oddly saner”.


‘H is for Hawk’ – Helen MacDonald

‘H is for Hawk’ is a moving account of grief, depression and falconry. Following the death of her father, Helen MacDonald travels to Scotland to buy a goshawk and sets out on a mission to train it – despite no previous experience and only what she has read in books since she was a young girl. I get that this sounds like a slightly strange mix, but it makes for a beautiful one. It is a combination that makes you laugh, cry and gasp in awe along with MacDonald every step of the way and leaves you fascinated by these fantastic birds.

 

Click here for Part 1 of Eleanor’s guide.
Words and images by Eleanor Manley for Anthem.

 

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I Don’t Need Two Halves To Be Whole

Singing birds in the morning sun,
or do they quiver at what you’ve done?

Echoes of laughter bounce off walls
just like the therapy balls
that weren’t good enough either.

Love is learnt in pairs
But then surely I am half empty.
Or am I half full, with her brown eyes,
much deeper than cuts and
much brighter than cigarette butts.
Pay attention:
Thick skin sentry. 

Every new pair he’ll slip through,
in between cracks, which can be filled into.

And she has already outgrown you.

illustration-for-poem-by-ellen-forbes

I have always thought that I’d be half empty because I didn’t want to inherit any resemblance of my father. Thinking about it now though, if he were to be anything in my life, he would be the sickness.

Like with sickness, sometimes the less you know the better. I never had a great relationship with my father. I think this answers a lot of questions about my teenage relationships: the over-attachment, the insecurity, only being able to understand love and kindness from guys when it came in the form of degradation.

This poem says that I am complete without my father. I am whole without him because my mother was enough, as a parent, as a friend, and most importantly, as a woman. She did not allow him to be the making of her and only now do I realise how empowering that has been for me.

The absence of my father has meant more room for my mother and has come with a profound understanding that I do not need a man to validate me.

I no longer worry about searching for my other half. I am already full.

 

 

Words by Jasmine York
Illustration for ANTHEM by Ellen Forbes